A Quote by Yoko Shimomura

I've been playing videogames since before my career in this business, but what happened is several videogame companies were recruiting students back then and I applied with barely any hope of getting accepted to any of the companies. However, I got accepted! Although my path was already set to become a piano instructor, I chose the path of videogames instead. My parents cried, my friends were worried and my teacher was stunned (we're talking about way back when game music wasn't as popular as it is these days).
I guess I didn't have a lot of friends, so that's what made videogames so important. They played back. I could do them myself. Solitaire can't surprise you; there's no AI. But videogames play back with you.
If you think about companies that were built in Silicon Valley, a lot of them early on were chip companies. And now the companies that are there, like Apple, are much more successful than any of the chip companies were.
I have been wildly enthused about gaming since I was younger, and a career path I chose not to go down but did really consider was getting into programming and game design.
Once I accepted music was my path, I rebelled by wanting to do it my own way. I also didn't think it was respectful to my father's career and creativity to assume that I could jump on the back of all he had worked his entire life for.
I don't relate to what's left of the music business. There doesn't seem to be any point to it anymore. The business that I grew up in and loved, we made records a different way - there were record companies, there were stores where you could buy albums.
The Tathagatha... is the originator of the path unarisen before, the producer of the path unproduced before, the declarer of the path undeclared before. He is the knower of the path, the discoverer of the path, the one skilled in the path. And his disciplines now dwell following that path and become possessed of it afterwards.
Truth is a pathless land, and you cannot approach it by any path whatsoever, by any religion, by any sect ... Your have to be your own teacher and your own disciple. You have to question everything that man has accepted as valuable, as necessary.
There was a time when all the actors were saying, 'We should get residuals on videogames.' I just kept going, 'You don't have any idea what goes into making a game, do you?'
Back in 2000, I had come to a crossroads in my life, unsure about what career path I should pursue. Shepherd, bouncer, philosopher king, ventriloquist or perhaps man on the flying trapeze. Fortunately, I was guided back onto the path of the magical world of music.
It's just become such a business, getting into college. I see that a lot in my friends, their parents were so on top of them about getting into an Ivy League school since they were so young, they were just drilled and drilled and drilled, to the point that they just don't know why they want to go.
I've had a lot of support from back home, starting way back in karting and since then I have been lucky to have been supported by some great Finnish companies.
I'd like to work with some of the videogame companies for the simple fact that they obviously need some sort of writer's help. I play videogames, and lately it's hard for me to enjoy them because I'm spending all my time cringing at the corny dialogue, thin characters, and glaring plot holes.
In about 9th grade, an English teacher told me I had a talent to act. He said I should audition for a performing arts high school, so I did on a whim. I got accepted. Then I got accepted at the Julliard School, and by then, I was serious about it.
My earlier days were all about playing, writing songs and producing songs. In the early 90's my former wife, Marylata Elton, got tapped to run the music department for DreamWorks. She worked right under Hans Zimmer during the heady days of Prince of Egypt, Shrek, Chicken Run, Gladiator just to name a few. She was and still is, one of the great music executives and has quite a career path of her own.
I was always nervous about coming back to Australia which was a complete hangover of the days when I left when ballet was not accepted, when I was not accepted, when I was considered a freak for wanting to be a ballet dancer. And, to be 100% honest, I rather dreaded coming back.
There were a lot of days when I thought maybe this isn't what I should be doing. There've been a lot of days where you get to the point where you're like, "I don't know if I've got the will to even do this." It's the type of game that doesn't let you walk away so that's what happened, I just kept coming back to it until something really happened for me.
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