A Quote by Yolanda Adams

The great thing about Gospel is that you don't have to have an album every year in order to keep working. — © Yolanda Adams
The great thing about Gospel is that you don't have to have an album every year in order to keep working.
My mother kept asking me, 'When are you going to do a gospel album?' And I've always wanted to do a gospel album. Everybody was going on about it, so mom started hounding me more.
My mother kept asking me, "When are you going to do a gospel album?" And I've always wanted to do a gospel album. Everybody was going on about it, so mom started hounding me more.
I've never got the vibe that they would do a gospel song. 'Cause when they talking about doing another Geto Boys album I said I would do it if I could rap like I'm rapping on my gospel album, I didn't get a whole lot of cosigning on that from all the political parties concerned.
I have to keep working, keep getting stronger, keep shooting - every day, every day, to get better. That's how great players become great players.
I'm a church musician. I play gospel music; that's what I do. I never had a chance to produce gospel music, and I did a full album with Lecrae that's the number one Christian album. It's super-big for me.
You always have to try new things, and that's the one thing that we've learned from all the greats - every album isn't gonna be every fan's favorite, but as long as you keep switching it up and making new fans, it's really about being persistent.
I've done gospel singing. I have a gospel album and country album.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
Being under-recruited coming out of Highland, I've carried that with me. I keep pushing forward, keep working hard every day, keep my head on straight every step of the way. I tried to keep the reality hat on, knowing I might not get to the NFL, but I also knew it was a great possibility if I kept myself hungry.
The nice thing about working for a label like Domino is that there's no pressure: They've got a roster of 40 active bands, and they can bang out an album or single in a week, so it's not the end of the world to not have a Max Tundra album in 2005.
For the second album I look forward to doing a lot of serious collaboration and taking the experiences I've had over this last year, good and bad, and working it into the album.
I do not need some guy around in order to get inspiration, in order to make a great record, in order to live my life, in order to feel okay about myself. And I wanted to show my fans the same thing.
I remember looking at my iTunes and was like, 'I haven't listened to an album in about three months.' What happened? I was once an 18-year-old kid who would just devour everything and want to know everything about every member of every band I liked. It became this thing where I hated the idea of music, and I didn't know if I wanted to make music.
With every album, I write above my ability, and my job as a guitarist is to catch up and be able to play it live. The thing about practicing is that once you master something, you don't have to remaster it. You just keep moving forward.
The people that impress me are Bob Dylan. The ones who keep working, year in and year out, and keep coming up with stuff.
One of the things that I loved about working on that first album was working with Billy Mann, who produced the album, and all the people who worked to finish it. Just seeing how they did things and learning.
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