A Quote by Yolanda King
I try to understand people who do violence. I try to understand what they are feeling and experiencing.
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I hope what I do when I draw from other people's lives is pay tribute. To try to understand what it means in our society to be silenced. To try to understand how class and gender intersect with that. To try to understand how being named and classified within the context of psychiatry can intersect with all that, as well.
Everyone wants to understand art. Why not try to understand the song of a bird? ...people who try to explain pictures are usually barking up the wrong tree.
Don't try to understand life. Live it! Don't try to understand love. Move into love. Then you will know - and all that knowing will come out of your experiencing. The more you know, the more you know that much remains to be known.
Works of art are meant to be lived with and loved, and if we try to understand them, we should try to understand them as we try to understand anyone — in order to know them better, not in order to know something else.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
Love is an untamed force. When we try to control it, it destroys us. When we try to imprison it, it enslaves us. When we try to understand it, it leaves us feeling lost and confused.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
I started writing for myself when I didn't know how to understand how I was feeling, and I didn't know how to talk to people about it, so I would break into the subconscious to try and understand what I was going through.
To destroy governmental violence, only one thing is needed: It is that people should understand that the feeling of patriotism, which alone supports that instrument of violence, is a rude, harmful, disgraceful, and bad feeling, and, above all, is immoral.
Why do you try to understand art? Do you try to understand the song of a bird?
Say "yes" to life! "Yes" to wonder, to joy, to despair. "Yes" to pain, "yes" to what you don't understand. Try "yes." Try "always." Try "possible." Try "hopeful." Try "I will." And try "I can."
Everyone wants to understand art. Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of a painting people have to understand. If only they would realize above all that an artist works of necessity, that he himself is only a trifling bit of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world, though we can't explain them. People who try to explain pictures are usually barking up the wrong tree.
When you try to portray people's lives, you try to make sure you don't portray them as clowns and that you give them a level of dignity. You don't try to change their persona, but you try to understand that they had unique problems, set in a century that you don't live.
One of the main reasons I write fiction is to try to understand what life is like for people other than myself, to try to see the world through my characters' eyes. I often find that I'm able to understand certain emotional truths about my own life by exploring things from different vantages.
I try to ?nd clues in the documented record - from the subject's own testimony, from the testimony of other people. When you're writing a biography, you're trying to understand your subject in the same way that you try to understand one of your friends, and that effort at understanding is always very imperfect.
I think I'm attracted to subjects that I'm afraid of. It's a way to approach things I am afraid of, things that bring fear in my heart, and try to understand them, try to deal with them. It's like demons. I try to approach it and understand it... I'm just visiting fears.
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