A Quote by Yoon Se-ah

There are only two reasons why a woman doesn't pick up her phone. She either likes him too much or hates him too much. — © Yoon Se-ah
There are only two reasons why a woman doesn't pick up her phone. She either likes him too much or hates him too much.
He's charmed by her as if she were some fairy!" continued Arabella. "See how he looks round at her, and lets his eyes rest on her. I am inclined to think that she don't care for him quite so much as he does for her. She's not a particular warm-hearted creature to my thinking, though she cares for him pretty middling much-- as much as she's able to; and he could make her heart ache a bit if he liked to try--which he's too simple to do.
I lost my dad way too early and it was agonisingly awful. I missed him so much and I hated knowing that I could never again pick up the phone to tell him about my day.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
There are lots of reasons why a woman stays with a man, even when she's given up on changing him and can predict with certainty the shape that the rest of her life with him is going to take.
People expect you to be with stars like Beyoncé. Obviously she's amazing, but you can't get starstruck as there's too much build-up to it. It's like, 'Clear the corridor so she can walk down it!' And she's like some fembot. There's too much faff and you end up thinking, 'Who cares?' If I was chatting to Hugh Fearnley-Whittingstall about chickens I'd be much more excited, as I love him.
Cry, the beloved country, for the unborn child that's the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing. Nor give too much of his heart to a mountain or a valley. For fear will rob him if he gives too much.
As soon as she'd met him at the arrivals gate on his return from Thailand, lithe and brown and shaven-headed, she knew that there was no chance of a relationship between them. Too much had happened to him, too little had happened to her.
To a woman--I mean, a nice woman--there is no such thing as men. There is a man; and either she is so fond of him that she can talk of nothing else, however unfavourably, or so much in love with him that she never mentions his name.
Why, i' faith, methinks she's too low for a high praise, too brown for a fair praise and too little for a great praise: only this commendation I can afford her, that were she other than she is, she were unhandsome; and being no other but as she is, I do not like her. (Benedick, from Much Ado About Nothing)
I doubt she likes the idea of seeing him put back in a cage.” “Maybe not,” he said. “But she knows that the Authority are the only people who might be able to help him.” “Or kill him,” I said. “That too. What is life without risk?” “Long?” Terric laughed, a sort of high whooping that made me—and Zayvion, much to my surprise—smile. Contagious. For all he had a serious exterior, Terric was the guy you’d want to sit next to at a funny movie, just to hear him laugh.
Unlike me, Renee was not shy; she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books--great, big, fat ones--French and German as well as English--history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much.
But the explanations fell apart in her hands. Everything true was too hard to write--he was too much to lose. Everything she felt for him was too hot to touch.
Simon Glass was easy to hate. I never knew exactly why, there was just too much to pick from. I guess, really, we each hated him for a different reason, but we didn't realize it until the day we killed him.
Jodi Melnick is hotly self-absorbed. Her onstage musicians are much too loud, and like so many narcissistic performers, she goes on much too long: She's interested in herself; why wouldn't we be?
You're so kind, Kazuhiko. That's what I like about you." I like you, too. I love you so much." If he weren't so inarticulate, Kazuhiko could have said so much more. How much her expression, her gentle manner, her pure untainted soul meant to him. How important, in short, her existence was to him. But he wasn't able to put into words. He was only a third-year student in junior high, and worst yet, composition was one of his worst subjects.
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