A Quote by Yoshikazu Tanaka
I think the number one advice I can give is - you just have to start it. Just get your feet in the water and do it. I learned a lot from just trying it out.
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I've been through a lot of different situations, and the key thing I've learned is: Don't panic. That's the advice I give people. If anaphylaxis occurs, just do the necessary things. If it's your first time, call and seek emergency assistance and find out exactly what's happening. Get help.
I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot.
My children threw me a life line: "Return to your roots - food - and rewrite your first book, Diet for a Small Planet." I learned that if I could just show up, in this case, if I could just get myself out of bed, get to the computer in my tiny office at MIT, and start writing, help would start arriving.
A lot of people think track, you just run, that's all you do. No. There's a lot of technical aspects to it as well. A sprinter is not just going to get out of the blocks and start running. You do that, you're going to get embarrassed every time.
I've never really had specific goals and stuff like that - I think I sort of learned early on that if you kind of let life roll in at your feet, you will get a lot of great stuff if you are just aware and open to it.
I never give advice unless someone asks me for it. One thing I've learned, and possibly the only advice I have to give, is to not be that person giving out unsolicited advice based on your own personal experience.
There are a lot of comedic actors who are just out to be the funny one and get all the laughs and they'll sacrifice your joke, the scene, the story just to be the star. All they want is attention and to be number one. You can spot those guys from a mile away and they're the worst.
Whatever is about you that is translated into your art, that's gonna keep you completly original and fresh and I just think that, that's just the best advice I can give, to an artist creatively.
I think it go serious in college when I found out I really enjoyed making people laugh. It makes me happy. I said, I wanna be a comedian, I wanna get good.' You're not good in the beginning. You're still trying to figure out what the things are that you are going to talk about, what your angle is going to be and there's a lot of trial and error. I just never gave up and that was the beginning of my career. Just experimenting, trying it out and falling in love with it.
Renormalization is just a stop-gap procedure. There must be some fundamental change in our ideas, probably a change just as fundamental as the passage from Bohr's orbit theory to quantum mechanics. When you get a number turning out to be infinite which ought to be finite, you should admit that there is something wrong with your equations, and not hope that you can get a good theory just by doctoring up that number.
I just think a lot of people don't give credit to EDM producers or DJs. People think they're just button pushers and just get on stage and don't really perform.
I don't want to make this sound negative at all, but in the best way possible I freaking give up. I give up. You can't try and make your life perfect. I'm just trying to have a good time, and I'm just trying to appreciate the things that I have around me. I give up on the 'dream' dream. I think that it's all a dream. I think it's all wonderful and terrible. And I give up in the nicest way.
When you step in to act, you just zoom way in on the longest possible lens and you're just totally in the point of view of your character and you have to forget about everyone else. You don't care about what anybody else is, what they want or what they're trying to do. You're just concerned with your circumstances, what you're trying to get out of someone or some scene.
I'm trying mostly to ask questions. And not just trying to stake out a position on something, but also trying to define the stuff we agree on. I'm having battles with comment posters trying to insert a little sense of order so it's not just a long pissing match between the edges, which is what I think a lot of the blogosphere is tending to do.
Family's number one; just, that's flat out it, and I think a lot of people, when they're put in a certain position, will come to that conclusion, and you'll just do whatever.
There are a lot of spikes that can happen when what you're doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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