A Quote by Young Dolph

Memphis wasn't hot before Dolph came out. — © Young Dolph
Memphis wasn't hot before Dolph came out.
I told myself, if I sacrifice Young Dolph and never sign to a major label and I get Young Dolph hot? I'm going to earn and get all of these relationships and do a lot of networking. I'm gonna know the business, all the way, ins and outs.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.
Dolph Ziggler is a name you'll remember. It will stand out, and you'll know it before you even meet me.
Dolph writing movies. Dolph into fashion.
There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.
I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.
When Lonnie Mack came out with the guitar instrumental "Memphis" I thought, Oh God, finally somebody we guitar players can relate to !
It was a strategic plan, because prior to us doing 'Dum and Dummer,' me and Glock never had music together. So I planned it that way - because I always wanted Glock to take off and go big on his own, without a Dolph co-sign or Dolph feature.
I have a deep-down belief that there are folks in the world who are good through and through, and others who came in mean and will go out mean. It's like coffee. Once it's roasted, it all looks brown. Until you pour hot water on it and see what comes out. Folks get into hot water, you see what comes out.
I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.
I always liked making the 'vibe music' more 'cause I feel like you can get more creative on it. Memphis is for sure like the grimey. In my hype music, the Memphis comes out of me - but when I try to vibe, I feel the Caribbean culture come out.
Before too long I was playing badly out in some bars around Memphis, but as soon as I learned a few chords I started writing my own stuff.
It's easy to forget about the Memphis Grizzlies because, well, they play in Memphis.
The fact is, I'm the biggest rapper from Memphis, I help a lot of rappers from Memphis.
Memphis is in a very lucky position on the map. Everything just gravitated to Memphis for years.
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