You really got people that you got to talk to every day, you got teams that you gotta work with every day. You lose track of... not real life, but the people that really love you. It becomes a distanced thing because you give that job all of your time.
I think that everybody has hard work side, no matter what your job is, you have bad days, you have people you don't get along with. The thing about modeling is every single day you're working with a completely new team so every single day is your first day of work or your first day of school. And you can't really have an off day because that will be the only experience they have with you.
I've got to continue to work hard because every day somebody's coming for my job. I've got to continue to get better and better each day. I have to act like every day is my last.
I think every league is good. Every league is pretty much the same: You got your top teams that are all very good, you got middle of the road teams that are really good and then you got your bottom of leagues that are all kind if fighting to get really good. I think it's pretty much the same across the board; I've said that for a long time.
Dagwood Bumstead was a great unrecognized hero of American literature. He showed up every day, he got knocked down every day, he never got to eat his sandwich every day, the dog jumped on him every day, his wife was giving him a hard time and he showed up every day.
I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.
With every action oriented or adventure film, there's going to be a moment when every actor becomes a stuntman and every stuntman becomes an actor. You try to do as much of it as you can, but inevitably the studio wants you to finish the movie. So you've got to slow down and you're really got to defer to your team to make sure you do.
You've got to wake up and perfect your craft, every day, and at the end of the day, you know, you get the star power, magazines, photos shoots, but you've got to say humble, you've got to stay grounded.
Every single day has to be excellent. You gotta give it all you got!
I train for about 30 hours a week. That's at least four hours every day. I swim at seven most mornings. It's got to be your life. You've got to fit everything around it. If that's all you know and it's what you love to do then it's got loads of positives as well.
I got a lot of heart. I am going to give it my all every day. I have no excuses. I come prepared every day. I put it in the hard work.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
I'm very scheduled; like every hour, I've got to do this, I've got to eat here. The facial's at this time, the trainer's at this time, the electro-muscle therapy's at this time... it's like every day is a whole thing.
Days off always help. Even if people don't like it when they give you a day off, you've got to take a day off because sometimes you've got to clear your mind.
I've got to write about my character every day. I've got to find out where he lives, what bus he catches to school, and stuff like that. You've got to know every little thing about him so when you do it, it feels natural.
The thing about photography is that every day is a new day, even if you are working on the same story, because every day you have got a chance to correct what you did the day before, and try to take it a bit further or a bit back.
When you get in a job, the tendency is to say, 'I've got to know it. I've got to give direction to others. I'm in this job because I'm better and smarter.' I always took a different view, that the key was to identify the people who really knew and learn from them.