A Quote by Young Jean Lee

I've found that the only way to make theatre that gets the audience thinking is when I feel uncomfortable making it. — © Young Jean Lee
I've found that the only way to make theatre that gets the audience thinking is when I feel uncomfortable making it.
You have a responsibility for the way you make the audience feel, and I want them to feel uncomfortable.
Only in the theatre was it possible to see the performers and to be warmed by their personal charm, to respond to their efforts and to feel their response to the applause and appreciative laughter of the audience. It had an intimate quality; audience and actors conspired to make a little oasis of happiness and mirth within the walls of the theatre. Try as we will, we cannot be intimate with a shadow on a screen, nor a voice from a box.
I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.
Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.
I like making myself uncomfortable and throwing different stuff my way and trying to find a solution for it. I think that's how you improve. Find a way to make yourself uncomfortable, get comfortable with it, and do it again.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
You can make a film in a way that, when the audience leaves the theater, they leave with certain answers in their head. But when you leave them with answers, you interrupt the process of thinking. If, instead, you raise questions about the themes and the story, this means that the audience is on its way to start thinking.
I love test screenings. Some directors don't, I know. But I love it. I think it's because I come from the theatre and in the theatre, previews are where you really have to listen to the audience and really feel how they're responding. I found our test screenings incredibly useful.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
When you are making a film, you do not know how it is going to be received by the audience. In fact, if you set out to make a film thinking that it will make 100 crores, it never ends up making that much money.
The point of theatre is transformation: to make an extraordinary event out of ordinary material right in front of an audience's eyes. Where the germ of the idea came from is pretty much irrelevant. What matters to every theatre maker I know is speaking clearly to the audience 'right now.'
Any story that gets us thinking, and particularly young people, thinking why? Whether it's as a result of reading the book, or coming out of the theatre or the cinema, I think we should just simply be asking the question 'why'? Why did it happen to those people? Was it necessary? And anything that gets us thinking like that is really important.
Writing a book is a way of thinking to me, the only way of thinking that I have found successful.
I don't desire happiness. I think it's a myth, and I don't think it's... and it makes you complacent. I feel very satisfyingly uncomfortable. I have the freedom to feel uncomfortable in the way I want to, is maybe a way to put it.
Living in the present is the way to go. I know firsthand about getting caught up in the hurts of the past and the anxieties of the future and thinking that we are somehow making ourselves feel better by doing so. We become lost in being everywhere but here and now, and the ironic part is that the present is the only place that will make us feel better.
I'm passionate about music, and I feel that theatre has an extraordinarily musical ability in the way it operates on the audience.
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