A Quote by Young Jeezy

I've pretty much done records with everybody. — © Young Jeezy
I've pretty much done records with everybody.
All the records I've made have pretty much been big club turntable records. You need to feel the rhythm.
A lot of those early blues records and soul records were pretty much live. It was what it was, and they had goofs and mistakes, but it still kept its charm. We have to remember to keep the feel. It's so important.
Everyone in the Middle East pretty much wants to come and be an American citizen, but pretty much everybody is angry with the U. S. foreign policy.
I think I've done a pretty fantastic job, but of course I want to sell millions of records.
I have to say when a man lives for himself, it's hard to live with him. That's pretty much the story of all my divorces. I've been making records since I was 22 and done things my way, and it's hard for me to compromise. And of course, to have a successful relationship, one has to compromise. Sometimes I'm not good at it.
I will sing their praises, I'll sing Donald's [Trump] praises and Marco's [Rubio] praises and everybody else's praises. But I'm going to keep the focus on substance and records. And there's a reason why they scream "Liar." Because when you point to their own records, their own voting records, their own words, they don't like their records because their records are inconsistent with what they're running on.
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
I'm super comfortable with TV, especially in my situation where I pretty much have 100% freedom. That's the ideal, and I've been fortunate in TV to have pretty much everything I've done be at least somewhat successful.
I'm pretty much a documents reporter. I'm a public records geek.
I got archives of records. I have records from when I was 17 that I still think are pretty dope.
I've pretty much done all I can here and, you know, God will carry me the rest of the way, so I'm pretty comfortable with that.
I wish records got made faster and looser with less thought in them, but since touring is so much more profitable than records, you spend so much time on the road that it's hard to work on them. And the records get further and further apart.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
The majority of my records that become big records are usually done in one day.
This site uses cookies to ensure you get the best experience. More info...
Got it!