A Quote by Young Thug

I know I have this image but in reality, if you take all my records, I had to use five or six [tracks]. — © Young Thug
I know I have this image but in reality, if you take all my records, I had to use five or six [tracks].
Jesus, that ear. He should donate it to The Smithsonian. Brian Wilson, he made all his records with four tracks, but you couldn't make his records if you had a hundred tracks today.
We'd take records you'd never hear in clubs and make them into club tracks. We were doing B-sides on records that had nothing to do with the songs, and calling them Masters at Work dubs.
I love Bob Dylan. 'Blood on the Tracks' is one of my top five records.
Of course I've had a bunch of broken bones, sprains and I've had five or six concussions, with three serious ones. I also got a real heavy duty blood clot and internal bleeding from where I was shot in the stomach with a beanbag bullet that the police use for crowd control. I've also had six stitches in my head.
We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
We were on Island Records for five or six years and we kinda just got tired of them always wanting to use our connections, all the time. It's like, they didn't really do much for us, I mean, they would give us money here and there and you know, do stuff like that but, I mean, overall, they didn't push us.
I hate click tracks. A lot of people I know like to use click tracks. Like my son is perfect on the click tracks. It makes me to edgy.
I used to take five or six books away and bring five or six books back. Nobody gave me direction or advice and I read much in the way that a boy might watch television.
My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
It seems as if nature, in regarding the geologic night behind her, when, in five or six millenniums, she had turned out five or six men, as Homer, Phidias, Menu, and Columbus, was no wise discontented with the result. These samples attested the virtue of the tree.
I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
I used to link up boom boxes, record one take, play it into another boom box then play all that back into the other one until I had six tracks. It was unlistenable!
When the people who are in power want to use again, create an image, to justify something that's bad, they use the press. And they'll use the press to create a humanitarian image, for a devil, or a devil image for a humanitarian. They'll take a person who's a victim of the crime, and make it appear he's the criminal, and they'll take the criminal and make it appear that he's the victim of the crime.
We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.
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