A Quote by Young Thug
A mixtape is for the street, it's something you without necessarily thinking about it, because you have to stay in the game. It's like writing an e-mail saying hello to your friends.
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I was thinking about how a playlist is really so inadequate as opposed to a mixtape because it takes seventeen days to really make a mixtape with a homemade cover that you like and that you'd give away.
We owned the mixtape game, and every mixtape we put out was like an album.
When I called 'Cut 4 Me' a mixtape, I was thinking about a few elements: One is used instrumentals. The project is more centered around introducing you to an artist; it's not meant to be seminal. It's 'Hi,' 'Hello,' a thing that you first hear.
You can be tweeting strangers and saying, 'Don't say that,' but are you saying that to your friends? How about your mom? Your boyfriend at the dinner table who says something homophobic? If you're not saying the same things in person that you're saying online, then what are your tweets doing?
When you start thinking about taking pictures, sending an e-mail, receiving an e-mail, speaking into your phone and have it transcript voice into text and then sent as an e-mail, it's mind-boggling.
I teach students that what people say about failure in politics is mostly wrong. People always told me, 'They'll praise you on your way up and kick you on your way down.' That wasn't my experience. I can't walk down the street in Toronto without someone coming up and saying hello.
My main message is for people to live your life through love. That doesn't necessarily mean through a relationship. It could be your friends, your family, your workplace, even just walking down the street and smiling, saying 'Hi!' Embracing positivity!
When you say 'Hello Wembley!' you're not just saying hello to a large shed. You're saying, 'Hello, I'm following all the greats that have played here before.'
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
I wrote most of 'Hello in There' in a relay box, which looks like a mail box, only bigger. Sometimes, it was so cold and windy on my mail route that I'd go inside the relay box and eat a sandwich, just to get away from the wind. I remember working on 'Hello in There' inside the relay box.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
When I'm happy, when I'm enjoying life, I'm home, I'm surfing, I'm spending time with my wife, my friends and I'm not thinking about the pain. And then the moment I encounter something that feels difficult, I feel like that's when, for me, I turn to writing and thinking and maybe a song comes from that.
I'm a big fan of things in writing in general that are subtle, that suggest something without actually in-your-face saying it. And it's funny, I've started to notice it, I started to see it after a while, that that's kind of a way of writing that I was doing. But I didn't set about to do that.
It comes with experience and learning and knowing the game. It's not necessarily about sticking your chest out and saying, 'I'm tough.'
I spent so many years just saying what I felt without thinking about the ramifications, without understanding that I have this opinion but not everyone might share that opinion and now they don't like me because of it.
You're not really taken seriously when you're on SoundCloud because anybody can upload. It's the same as standing on a street corner and trying to push your mixtape.
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