A Quote by Youssou N'Dour
When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
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I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
There are so many things to be considered in making music. The whole question of life itself... I know that I want to produce beautiful music, music that does things to people that they need.
Reggae music is simple music - but it's from the heart. Just as people need water to drink, people also need music. If it is true music, the people will be drawn to it.
I was going to be a doctor, but I think my music allowed me to help more people than I could have done one-on-one as a psychologist. Just like other people's music really helped me.
Music has always helped me stay creative and grounded because I'm traveling and shooting and trying to understand other people. Music was something I could just sit in a room and make with my friends.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
Just knowing that I'm on Earth to give music and help people create moments in their lives that's unforgettable with my music has kept me grounded.
I feel like it's my responsibility to be the greatest I can be. If I go out there and start making terrible music, I don't expect people to like me. If I'm making great music and there's no reason for people to not like me, that's when it's going to make me upset. People just need to take a chance and listen.
You don't pigeonhole yourself, people pigeonhole you. If the world is not at a place yet where it can just be like, "This music is gay and it's music," then it's not my fault that it gets pigeonholed, it's not the people in the band's fault, it's because people won't just let music be music, people who need to put a name on something or to critique something.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
Roger Miller opened a lot of people's eyes to the possibilities of country music, and it's making more impact now because it's earthy material: stories and things that happen to everyday people. I call it 'people music.'
Finally, ultimately, you write music for yourself. I mean, I need a public, I need people to play, I need everything else. I'm not working in isolation. But finally the man that writes the music is alone. And I have to respond to those criteria which are almost like inner needs or inner responses.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
Country music has been empowering to women. Women invented it - it was women singing to their children that built country music. The people making country music today might not even know that it all started with a midwife. But it's true, it really did. That's where Michael learned to shake it the way he did. It wasn't from old Papa Jackson, I'll tell you that.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
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