A Quote by Youth Lagoon

I've realized the most effective way to write, for me, is knowing what to throw away. — © Youth Lagoon
I've realized the most effective way to write, for me, is knowing what to throw away.
I write about eight hours a day, and I throw away most of what I write.
I believe in collaboration. I think that is the most entertaining and effective way to write for me, personally.
When I get into the moment of actually feeling like I want to write, to finish something, I do what I've always read authors do, and park myself at a desk and bang things out for three hours. And if I have to throw it all away, I throw it all away.
Shall I throw away the materials and time paying homage to the perfectionist - knowing that nothing is ever perfect and also knowing that redoing yesterday is not always proceeding to tomorrow's discovery? What an eternal debate!
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
I can't live my life happily knowing you're with someone else. That would kill a part of me. What we have is rare. it's too beautiful to just throw it away.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
I love what I call "re-imagining," where I throw everything up in the air and let it fall in a different way. It's not the most efficient way to write a book, but it's how I find the story.
I have discovered the most exciting, the most arduous literary form of all, the most difficult to master, the most pregnant in curious possibilities. I mean the advertisement. It is far easier to write ten passably effective Sonnets, good enough to take in the not too inquiring critic, than one effective advertisement that will take in a few thousand of the uncritical buying public.
Being a twin, and knowing if my twin was gone or lost - that's a part of me. There's no way I could be the same person knowing my brother had passed away.
Part of the job is knowing how to use this medium in the most effective way for the story you're telling, so for me, to pick a genre I want to do is a little harder. I would say it's more about thinking, 'What genre will work for what kind of story?' And then, when all of that comes, I embrace it and run with it.
Throw away holiness and wisdom, and people will be a hundred times happier. Throw away morality and justice, and people will do the right thing. Throw away industry and profit, and there won't be any thieves. If these three aren't enough, just stay at the center of the circle and let all things take their course.
It isn't me making money as much as it is me spending my money in a way that I feel is effective. My methodology is to say I'm not just going to throw money at a problem but rather personally invest myself in it.
Sometimes, I do have something to say, so I'll sit there and I'll write a song to someone - and then I just throw it away because it makes me cringe.
You try to figure out the best way to throw the shot put, or the perfect way to long jump, and you don't ever get it. You just chip away, chip away, chip away as time goes on.
How many times would I throw this away before I realized it was what I had been looking for all along?
This site uses cookies to ensure you get the best experience. More info...
Got it!