A Quote by Youth Lagoon

The whole concept of having something really in-your-face that you're forced to listen to is beautiful because I think music should be an event and not something that's just dismissed.
We definitely classify things in order to get closer to what we believe in - so it serves a purpose to really think about one style of music, and to understand the shades of delineation between similar artists. But yeah, it's really nice to listen to something the way most people listen to music! Just to enjoy it, without having to put it in context.
When I ruptured my spleen, I was about to win the overall Series for the World Tour, and I was at the last event in Vermont for the U.S. Open and was having a great day. Then I just got a little too excited and just face-planted, and I knew something was wrong. I really couldn't breathe, and my whole body was in so much pain.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
I was painfully shy for a long time. I mean, that's something I really had to work my way out of. And I really think it was because, after the 2008 Olympics, I spent a whole year bartending. It was the one thing that really forced me to be just not so scared to start conversations with strangers.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
As we grow, our music grows, and it's very natural and organic, and it's nothing that's forced, which is really, really important to us because we don't want to just do something drastic just to do it.
The Independent Record Store is the reason why i STILL do music...It seems like they're the only ones that Really care about the real music lovers...we need them...they're our balance to all of the music we are FORCED to listen to...they're the only ones that may still suggest something NEW and FRESH instead of just what's popular.
I think I've always been aware of it with my music. I think growing up basically and having a lot to deal with and just slowing down and having something to say and something to retract from, I think I just knew that what I was doing was extremely honest.
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
You grow up listening to Eminem; your parents don't let you listen to it - you gotta sneak into a car to listen to this guy rap. He changed my whole life, my whole perspective on music, so to more or less co-sign something that I've done is the ultimate childhood goal.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
I hate it when you really think you're getting something good... and you don't listen to your dudes when you really should.
I'm really not someone who is drawn to something that's in your face, it feels a little forced.
Whether for company or isolation or just to make it a pleasurable experience, I have music in my ears all the time. I tend to listen to the same things, so I don't really pay too much attention to it. But it's there, and it's nice, and I do pay more attention to it than I probably should. I think, 'How can I use this music in something?'
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