A Quote by Yu Darvish

I want to focus more on my pitches, not on the tempo. After that, I felt more comfortable. — © Yu Darvish
I want to focus more on my pitches, not on the tempo. After that, I felt more comfortable.
When you're more comfortable out there, you start seeing different things, relaxing more, being able to trust your pitches more and not try to overdo things as much.
Stadiums are full, pitches are good, the press is different, people are different, the football culture is different. Everyone talks highly of England and I'd like to experience it one day. You see more space, more opportunity to enjoy your football. It's more physical, more intense, but I think I'd be comfortable.
I'm a whole new pitcher. I'm more comfortable with all of my pitches.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
I found them uncomfortable and after that I decided to continue running barefoot because I found it more comfortable. I felt more in touch with what was happening - I could actually feel the track.
When I was a young boy, I preferred cats to dogs. From the age of seven or eight onwards I just felt more comfortable with cats. And I felt more comfortable with girls, I didn't really like hanging out with guys. When I was about ten or eleven, I was friendlier with the girls in my school than with the guys.
My after forty face felt far more comfortable than anything I lived with previously.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
I could not be more determined and robust about this. I want more children to play cricket and to have the chance to compete. I want them playing on the correct pitches with hard balls and proper headgear.
I felt more comfortable playing other people than being myself, when I was a kid. And then, the tables turned. Through my performances, I've become more comfortable with who I am, and then I just bring more of myself into the people that I play.
My senior year I felt I put a lot more time into the offseason to make a lot more happen. Going out my senior year, I felt like I did everything I wanted to do and more. I felt like I dominated and I feel comfortable going to the next level and that I'm ready.
I think it looked like I was a little more aggressive than I was, ... I swing at bad pitches anyway, but I was swinging at even more bad pitches and missing. It looked worse. But I was thinking about [the milestone], no doubt about it.
I've said this before, but I've always felt more comfortable playing the guy who thinks he's the hot shot or thinks he's the greatest and is so far from it, you know? The misguided character. That's always more interesting to me - especially with a comedy. I've always felt inside more like a character actor.
Some people focus more on sonics. Some people focus more on story. I focus on both sonics and story, but music sometimes, just music itself, can turn into more of a maths problem. I guess everything in life is a math problem, but it can be more about an empirical route to getting the symmetry that you want, and this vibe, sonically.
After coming out as gay, I soon felt a lot more comfortable in my life, moment to moment.
We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
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