A Quote by Yuan Yuan Tan
If Shanghai wants to be an international cultural center, they have to do something about that. The reason I left is that I wanted to explore what ballet is all about, and if I had stayed put, that wouldn't have happened.
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I went to an exhibition at San Francisco's Asian Art Museum about Shanghai, about how courtesans had been influential in bringing western culture to Shanghai. I bought a book and in it saw this striking group of women in a photograph called 'The Ten Beauties of Shanghai'.
I wanted to be a dancer from when I was about nine or something like that and started ballet. I used to really like it and got into it and did it full time for a couple of years. I did a lot of ballet but I traded that in for acting when I was about 15.
In 1949 - my father stayed on in Shanghai after the war. But in 1949, the Communists took over the whole of China, and in fact, my father was caught by the Communists in Shanghai. And he was there for about a year until he was finally able to get out.
I stayed in Miami and New York until I was about nine, and then we moved to India and stayed there for about four years and eventually moved to Berlin. It was definitely a cultural experience in its fullest, and I absorbed a lot. I don't regret any of it.
While certain coastal cities have become very prosperous, the rest of China has a per capita income of $200 a year. The coast wants to have nothing to do with the interior; it wants to work with Tokyo and New York. This is an old story in China. It is why Mao succeeded in 1927. He wanted [coastal] Shanghai to throw the foreigners out, but Shanghai was doing too well financially [to expel foreigners]. So Mao went to the interior and raised a peasant army. He came back to Shanghai and sealed off the country.
Yesh Atid is a Jewish, religious-secular party. Our DNA is center - both Left and Right. The difference between center-left and center-right is more emotional and hereditary than having to do with what people think about the Palestinians.
I wrote about World War II because I didn't understand it. I think that's the reason that historians are drawn to any subject - there's something about it that doesn't make sense. I wanted to work my way through what happened slowly, and look at everything in the order in which it took place.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
All of a sudden America wasn't about hamburgers and hot rods anymore. It was about the Mayflower and Plymouth Rock. It was about something that had happened for two minutes four hundred years ago, instead of everything that had happened since. Instead of everything that was happening now!
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
Like most citizens of popular and international urban centres, I don't take advantage of the cultural opportunities. Perhaps this comes from growing up in suburbia. Home is where you eat, sleep, read, watch television and ignore your parents. It is not where you go to the ballet and then attend a heated panel discussion about it afterwards.
I was about twenty and the Beatles were meditating and I heard about it and they had a center in New York and I came to the center and I learned about it.
There is something about liberalism that is not nearly as true about conservatism. The further left one goes, the more one finds that the ideology provides moral cover for a life that is not moral. While many people left of center lead fine personal lives, many do not.
I'm quite sure it happened in Berlin too when Eva [Braun] stayed there later on. I wouldn't know about that because I was scarcely ever there myself. I don't want to suggest she was crying all the time, but then they had their arguments, she was very downcast until she had cried it through. It happened on occasion.
Had the Holocaust happened in Tahiti or the Congo, as it has; had it happened in South America, as it has; had it happened in the West Indies, as it has - you must remember that within fifty years of Columbus's arrival, only the bones remained of the people called the Arawaks, with one or two of them in Spain as specimens. Had the Holocaust committed under the Nazis happened somewhere else, we wouldn't be talking about it the way we talk about it.
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