A Quote by Yui Mizuno

We truly experienced a lot as artists. — © Yui Mizuno
We truly experienced a lot as artists.
I've experienced a lot of successes. I've experienced a lot of failures. I've been able to get back up on my feet and keep going.
I'm someone who's experienced impostor syndrome - as I think a lot of people have with their careers, especially when they pursue what they're passionate about, because they want to be good at it. I've experienced that as a gay man; I've experienced that as a cook, as a gallery director, as a student of psychology.
Any musician who has not experienced - I do not say understood, but truly experienced - the necessity of dodecaphonic music is USELESS. For his whole work is irrelevant to the needs of his epoch.
I've seen a lot of miracles, and I have experienced a lot of things with Jesus, but nothing I have ever experienced in my corporate community life with other believers can compare with just me and Him in my kitchen early in the morning before the sun comes up.
Only the person who has experienced light and darkness, war and peace, rise and fall, only that person has truly experienced life.
If you look at the charts, there's not a lot of male artists and for whatever reason, female artists sell a lot more records and get played a lot more on the radio.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
I've collaborated with artists that truly run the gamut: from members of the Wu Tang Clan and Capone, to Moby, Lady Gaga, and opening for artists such as Sheryl Crow, Jack White, and Chris Shiflett of the Foo Fighters, etc.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.
I do see a lot of young artists who write records or sacrifice records, because there are a lot of older artists who are preoccupied; they don't have as much time as they used to to be in the studio.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
I paved the way for a lot of white artists now that don’t have to deal with the stigma of being a white artist. I don’t think that people would be as open for non-African American artists like that if it I didn’t take a lot of the slack for them.
To lovers and dreamers and anyone who hasn’t truly experienced either.
Only by examining our personal biases can we truly grow as artists; only by cultivating empathy can we truly grow as people.
How can you truly know what success is, if you’ve never experienced failure?
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