A Quote by Yukimi Nagano
There are times when we in Little Dragon write from scratch together, but everyone has their own lives, so it just seems to make sense when everyone starts an idea on their own and we sort of meet somewhere along the way. I'm at the studio all the time because I live there, but the guys will have different schedules. It's easier to start an idea with your own thoughts, rather than having to compromise from the start.
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I love going into the studio with just an idea of the direction. Like, I want this tempo... I love to start from scratch, and the tracks sort of take on a life of their own.
Rebellion, just to be clear, can mean holding onto some of your own integrity, of not playing into the idea of sensationalism. We all have our moments, and that's your guys' job - to take those moments and make them turgid, gaseous, make them big, and it's bigger than the person is. When you start believing your own press, that's when it gets really sad.
It seems like your dreams are your own spirit, your own soul, telling you what you're meant to do and getting you psyched up with the idea of thinking that it was your idea all along.
I can start with the idea of taking until you can take off, through the idea that all of my writing foregrounds the idea of how I'm taking from my own life. I'm stealing from my own life in a way, and from the people around me, but in service of getting somewhere else. I'm starting with an autobiographical impulse, to get a better vantage on the circumstances of the life that I happen to be in at the moment and how that life connects to others.
You Australian guys have your own way of speaking about music, you guys have your own way of enjoying music. You certainly have a very energised creative and cultural centre. Everyone I meet in Australia has a very unique soul... There's a lot of culture out there, and I meet a lot of nice people.
Every manager has his own idea of playing and his own idea of the training, and everyone has a different personality.
I started passing out the schematics and the code listings for the computer, telling everyone here it is. It's small, it's simple, it's inexpensive: Build your own. No idea to start a company. Steve Jobs came by later and say, you know, people are interested. Why don't we start a company?
Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
Everyone thinks he knows what a lettuce looks like. But start to draw one and you realise the anomaly of having lived with lettuces all your life but never having seen one, never having seen the semi-translucent leaves curling in their own lettuce way, never having noticed what makes a lettuce a lettuce rather than a curly kale.
Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.
People go through different stages of their lives at different times. If you're out of sync with your friend group, that gets exploded once everyone starts having kids because they just have to deal with different stuff that you don't really relate to.
I have a pathological fear of being on my own. When I'm with my own thoughts, I start to unravel myself, and I start to think really dark thoughts, self-destructive thoughts.
Everything for me starts very small and snowballs. So I rarely start with the grand idea and find a place for it and narrow down. It's, really, just start small, and as I'm writing it, I begin to see - sometimes to my own surprise - what's unfolding and what's blooming.
I believe art is utterly important. It is one of the things that could save us. We don't have to rely totally on experience if we can do things in our imagination.... It's the only way in which you can live more lives than your own. You can escape your own time, your own sensibility, your own narrowness of vision.
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