A Quote by Yukio Mishima

He had never looked forward to the wisdom and other vaunted benefits of old age. Would he be able to die young—and if possible free of all pain? A graceful death—as a richly patterned kimono, thrown carelessly across a polished table, slides unobtrusively down into the darkness of the floor beneath. A death marked by elegance.
I yearn for the darkness. I pray for death. Real death. If I thought that in death I would meet the people I've known in life I don't know what I'd do. That would be the ultimate horror. The ultimate despair. If I had to meet my mother again and start all of that all over, only this time without the prospect of death to look forward to? Well. That would be the final nightmare. Kafka on wheels.
But, who is Death? A figure that harrows and wastes wherever and however it pleases. This is also a possible description of the Countess Bathory. Never did anyone wish so hard not to grow old; I mean, to die. That is why, perhaps, she acted and played the role of Death. Because, how can Death possibly die?
I think if a physician wrote on a death certificate that old age was the cause of death, he'd be thrown out of the union. There is always some final event, some failure of an organ, some last attack of pneumonia, that finishes off a life. No one dies of old age.
Old men's prayers for death are lying prayers, in which they abuse old age and long extent of life. But when death draws near, not one is willing to die, and age no longer is a burden to them.
Death during adolescence feels unfair. We're young. We're invincible. Death is supposed to come with old age. When death breaks into our lives and steals our innocence, its finality leaves us unnaturally older. There are too many elderly young people.
Not for the first time Richard reflected that this age's vaunted 'communications industry' had chiefly provided people and nations with the means of frightening to death and simultaneously boring to extinction themselves and each other.
Life is the coexistence of all opposite values. Joy and sorrow, pleasure and pain, up and down, hot and cold, here and there, light and darkness, birth and death. All experience is by contrast, and one would be meaningless without the other.
[Speaking] is never without fear; of visibility, of the harsh light of scrutiny and perhaps judgment, of pain, of death. But we have lived through all of those already, in silence, except death. And I remind myself all the time now, that if I were to have been born mute, and had maintained an oath of silence my whole life for safety, I would still have suffered, and I would still die.
To die proudly when it is no longer possible to live proudly. Death of one's own free choice, death at the proper time, with a clear head and with joyfulness, consummated in the midst of children and witnesses: so that an actual leave-taking is possible while he who is leaving is still there.
So to be sick unto death is, not to be able to die-yet not as though there were hope of life; no, the hopelessness in this case is that even the last hope, death, is not available. When death is the greatest danger, one hopes for life; but when one becomes acquainted with an even more dreadful danger, one hopes for death. So when the danger is so great that death has become one's hope, despair is the disconsolateness of not being able to die.
The boy was lying, fast asleep, on a rude bed upon the floor; so pale with anxiety, and sadness, and the closeness of his prison, that he looked like death; not death as it shews in shroud and coffin, but in the guise it wears when life has just departed; when a young and gentle spirit has, but an instant, fled to Heaven: and the gross air of the world has not had time to breathe upon the changing dust it hallowed.
It is old age, rather than death, that is to be contrasted with life. Old age is life's parody, whereas death transforms life into a destiny: in a way it preserves it by giving it the absolute dimension. Death does away with time.
Eyes like streams of melting snow, cold with the things she does not know. Heaven above and Hell beneath, liquid flames to hide her grief. Death, death, death with no release. Death, death, death with no release.
If they (the young pilots) are on land, they would be bombed down, and if they are in the air, they would be shot down. That's sad...Too sad...To let the young men die beautifully, that's what Tokko is. To give beautiful death, that's called sympathy.
My father's death from prostate cancer in 1993 was tragic. He never complained about pain. He was a fighter. By the time he was ready to die he wasn't able to die in the way that he wanted to, which seemed an outrage to me.
There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.
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