A Quote by Yukio Mishima
For clearly it is impossible to touch eternity with one hand and life with the other.
Related Quotes
When a man's hand touches the hand of a woman, they both touch the heart of eternity.
In the theater you create a moment, but in that moment, there is a touch, a twinkle of eternity. And not just eternity, but community. . . . That connection is a sense of life for me.
In the gates of eternity the black hand and the white hand hold each other with equal clasp.
It'll be impossible to protect Brittany for the rest of her life from all the other guys who want to be near her, to see her as I've seen her. Touch her as I've touch her. Man, I never want to let her go.
Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you." You said the other day life was long," I shot back. "Which is it?" It's both," she said, shrugging. "It all depends on how you choose to live it. It's like forever, always changing." Nothing can be two opposite things at once," I said. "It's impossible." No," she replied, squeezing my hand, "what's impossible is that we actually think it could be anything OTHER than that.
And like no other sculpture in the history of art, the dead engine and dead airframe come to life at the touch of a human hand, and join their life with the pilot's own.
Eternity isn't some later time. Eternity isn't a long time. Eternity has nothing to do with time. Eternity is that dimension of here and now which thinking and time cuts out. This is it. And if you don't get it here, you won't get it anywhere. And the experience of eternity right here and now is the function of life.
The most wonderful thing, Mary, is that you and I are always walking together, hand in hand, in a strangely beautiful world, unknown to other people. We both stretch one hand to receive from Life - and Life is generous indeed.
The social scientist is in a difficult, if not impossible position. On the one hand there is the temptation to see all of society as one's autobiography writ large, surely not the path to general truth. On the other hand, there is the attempt to be general and objective by pretending that one knows nothing about the experience of being human, forcing the investigator to pretend that people usually know and tell the truth about important issues, when we all know from our own lives how impossible that is.
It's really impossible for athletes to grow up. On the one hand, you're still a child, still playing a game. But on the other hand, you're a superhuman hero that everyone dreams of being. No wonder we have such a hard time understanding who we are.
The problem of Eternity, of which the face of the Sphinx speaks, takes us into the realm of the impossible. Even the problem of Time is simple in comparison with the problem of Eternity.
Freedom is the basic condition for you to touch life, to touch the blue sky, the trees, the birds, the tea, and the other person.
It is impossible, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture. That which I have insisted upon as the life of the whole, that spirit which is given only by the hand and eye of the workman, can never be recalled.
My life has been sadly lacking in snails. I can't clearly remember any first-hand encounters. The best thing I can come up with is second-hand, a passage in Jacques Pépin's autobiography (The Apprentice: My Life in the Kitchen) in which he describes prying snails from the terrace of his vacation home and cooking them up for dinner.
But the actual touch of her lingered, inside his heart. That remained. In all the years of his life ahead, the long years without her, with never seeing her or hearing from her or knowing anything about her, if she was alive or happy or dead or what, that touch stayed locked within him, sealed in himself, and never went away. That one touch of her hand.
Life should be continually brighter. We are continually seeking our own innocence. We want to recapture it for eternity. It's in there, but we lose touch with it.
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