A Quote by Yul Vazquez

You could go to Estonia and there's probably an episode of 'Seinfeld' playing there. Television is a very powerful thing. — © Yul Vazquez
You could go to Estonia and there's probably an episode of 'Seinfeld' playing there. Television is a very powerful thing.
The one thing that we wanted to make sure in the pilot [of "Mary and Jane"] is that we could go everywhere. Part of the fun of them being a delivery service is that they go to different areas episode to episode. We do have an episode in the beach and there is an episode in the luxury rehab. It's all different kinds of things we are making fun of in LA.
I had a great start in television; the first thing I did was an episode of Performance called The Entertainer with Michael Gambon playing Archie Rice.
I had a great start in television; the first thing I did was an episode of 'Performance' called 'The Entertainer' with Michael Gambon playing Archie Rice.
I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television.
I can watch an episode of Jerry Seinfeld, and by the end, I'm just walking around my house, you know, talking like Jerry Seinfeld. 'What is that? What are you doing? Who is it? What's going' - you know, I just had that thing, when I grew up, I'd just start talking like people. You know, I always had that.
The E.U. is very popular in Estonia, and for very good reasons - not because Estonia has received considerable support from the E.U., but because Europe supports the values which keep small states safe in this world.
I've seen every episode of 'Seinfeld.'
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
The pilot of 'Seinfeld' was made and dropped. 'Seinfeld' was not supposed to go to series.
I look at Seinfeld - he looks like he's having fun. He's just enjoying being Jerry Seinfeld, you know, on 'Seinfeld.'
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
Television moves so fast. A series moves at such a rapid pace and things are changing, episode to episode, where you're going, "Wait, why am I doing this? This last episode, you told me I was doing this." You're shooting at a moving target.
Being asked to be in the last episode of 'Seinfeld' is not something you pass on. It was a great honor.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
I'm not afraid of code. I mean, I understand how these things work. I thought that that was the one area where Estonia was playing on a level playing field.
I watched 'The Sopranos,' I saw a couple of episodes of 'Mad Men.' I loved 'Seinfeld.' In fact, I got some CDs of 'Seinfeld.' 'Seinfeld' was hilarious. Oh, boy. The Nazi soup kitchen? 'No soup for you!'
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