A Quote by Yuna

I kind of always struggled writing in Malay, because Malay is such a beautiful language. And it gets really hard, you know, if you want to make it into a song. You have to make it sound beautiful, use the right words.
I subject my sentences and the words to a kind of Grand Inquisition. I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence. Not beautiful in the sense of "oh it's flowy" but in the sense that it really does what it's supposed to do, it what I want it to say.
To me, beauty and sadness are very closely linked. Truly beautiful things make me sad because I know they are going to fade. When I see a beautiful 20-year-old boy or girl-and they are breathtaking-I am filled with a kind of sadness. But maybe they are beautiful because we know they are not permanent and they are in a kind of transition.
I know a lot of people who really aren't beautiful because their attitudes are very nasty... Whether I make the 50 most beautiful list or not, I'm always going to feel like I'm number one most beautiful to myself... I get that from my mom, and my daddy and my friends who raised me.
So far we have 4 open elections with no minority Malay President. So 2017 must remain an open election and if no minority Malay President wins in 2017, than a reserved election will be triggered in 2023.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
Obviously people's feelings are going to get hurt when you use certain words, but you can't outlaw words. They're really the history of our culture. They tell you what's going on. When you make words politically incorrect you're taking all the poetry out of the language. I'm pro anybody living their lives the way they want to live, sexually and otherwise; and I'm anti any kind of language repression.
I want to make beautiful paintings. But I don't make beautiful paintings by putting beautiful paint on a canvas with a beautiful motif. It just doesn't work. I expect my paintings to be strong and surprising.
My attempt has been really to, beyond making a record of contemporary life, which is what you inevitably do, is trying to make beautiful books - books that are in some way beautiful, that are models of how to use the language, models of honest feeling, models of care.
There's always - somehow a red carpet everywhere. And I think that, you know, it's a fantasyland out here, you know. It's beautiful. It's sunny all the time. You know, there are beautiful people everywhere because you're not allowed to cross the Los Angeles city lines unless you're beautiful or skinny - joking kind of.
Being a slow reader would normally be a deficiency; I found a way to make it an asset. I began to sound words and see all those qualities - in a way it made words more precious to me. Since so much of what happens in the world between human beings has to do with the inconsideration of language, with the imprecision of language, with language leaving our mouths unmediated, one thing which was sensuous and visceral led to, in the use of language, a moral gesture. It was about trying to use language to both exemplify and articulate what good is.
My favorite kind of song is the most beautiful song that you love so much and it's so good it makes you want to cry a little bit. Any jam can sound like that on a certain day.
There is no border. I'm branding my films as Malay cinema, but it's just about cinema. Everything that I make is about humanity's struggle, so there is no border, really.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
Do I love you because you're beautiful, or are you beautiful because I love you? Am I making believe I see in you, a woman too perfect to be really true? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?
No one wants the picture-perfect song anymore. I'm trying to keep the beautiful qualities of pop - nostalgia, melodies, and the feeling that a beautiful pop song can give you - but make it real. It's not polished.
My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.
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