A Quote by Yuna

The working environment in L.A. is really refreshing, really good. Because in Malaysia, it's a small country - you end up working with the same people that you like and that you know.
The 'Being Human' people were really cool and let me improvise. They had such a good working atmosphere. It was a cool set-up and a really good environment to be in.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I'd like to be a working actor. It sounds really trite, but there really are no small parts, only small actors. And so as long as I'm a working actor, I can improve.
The physical environment of L.A. is really beautiful. It's actually kinda fun, too, if you're working. It's just not really fun if you're not working and you don't know anybody.
I'm really excited that people are receiving my performance like this. It makes me feel good, because I've been working really hard. And this character [Idi Amin], I worked particularly hard on. But I don't want to get too caught up in it, because first of all, it could lead to a great disappointment. You never know what's going to happen.
It's exciting to be with really, really good people. Some people make you feel like you've got to up your game. Working with good people is always good.
When a relationship with a director is really working, you have the same idea at the same time. You go, 'Look, this isn't working,' and they'll go, 'I know it's not working. What are we gonna do?' And you go and try something else.
It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
I started presenting when I was 16, and because TV is such a small world, you often end up working with the same people. I would say I've worked with pretty much the same circle of people ever since, so in a way I have always felt cradled by them, protected; they've looked out for me because they've known me since I was a child.
I really like working with people again and again, and I don't know why everyone doesn't do it. Because you already know them, and you know how good they are.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
You know, this might surprise people, but what I really want and what I'm really working toward is a Chanel suit. I'd really like to have one that I could wear forever - a really classic one.
Working with a lot of people at the same time is a task. I really like making stuff and getting stuff done. One of the things I really liked about Facebook was that I could always move so quickly. I wrote the original application in, like, nine days at the end of January.
The fact is, is that Donald Trump knows that as he rifles money from the working and middle classes up to the super rich, he has to sow division among working people, because if working people and middle-class people really take a look at his economic policy, they will come together, and they will stop it. So, what he has to do is to promote racism - hate the Muslims, hate the Latinos, hate the blacks, you know, have male - men and women at each other's throats, you know, make sure we repress the trans people.
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