A Quote by Yuna

Lupe Fiasco is kinda cool. I like him a lot. — © Yuna
Lupe Fiasco is kinda cool. I like him a lot.
I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.
I really like Kendrick Lamar. I'm still a Talib Kweli fan, Lupe Fiasco, Mos Def, Common Sense - people who say things that are relevant to everyday life. I don't pay attention to artists that talk about throwing money away and the car that they drive.
For me, I never wore my religion on my sleeve, you know what I'm saying? I never put myself out there as Lupe Fiasco, he's Muslim, he's from Chicago, he likes to ride a skateboard.
Stevie Wonder, he was in a party. They introduced me to him. I didn't know that he had like a accent... or that is just how he talks. He was real cool. Kinda chopped it up... It was cool, good experience.
It's not about mainstream global domination. I make clothes that I can't find. I made a few pieces and Lupe Fiasco bought a pair of trousers I'd made, and a few other artists picked some up.
Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there", or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
Once you've been on tour six, seven years, you get an idea of what works and what doesn't work universally. There will be some crowds that we just can't play a song, but we've got 90% of a show that we know is going to be a hit with the Lupe Fiasco fan. I think the catering has already been done.
Sometimes when I do a joke and it doesn't get a lot of laughs, it kind of feels like I'm doing jazz. That's kinda cool because jazz is cool, but sometimes jazz sucks ... Maybe I'm the Kenny G of comedy.
People have compared me to Lupe Fiasco, Kanye West, Eminem, and J. Cole. They bring substance and largely are all good storytellers, and those are two of my biggest strengths. It's dope to be compared to people who have longevity in the game because that's the most important thing for me: I want my name to live forever.
There's a difference between a failure and a fiasco... a fiasco is a disaster of mythic proportions.
Banks are kinda cool, you put some money in there. It should be kinda vaguely sexy, but it's not.
I'm not like, 'I act.' I'm like, 'I'm kinda floating. I kinda did this movie; it was kinda like going to camp, and I don't really know what any of this means!'
I like deer. They're kinda cool.
A surreal and ultimately disgusting facet of the Iraq fiasco is the lag between when a fact becomes obvious and when the fiasco's architects acknowledge that fact.
It was actually a lot more helpful to have Calvin Hart, a cop, as my template. He was also my technical advisor on Shaft. This time, I kinda got to go to Jersey City with him, and hang around, and watch him interact with other cops, people in the projects, and see what it means to be him. People call him 'Big Daddy' and he's this larger-than-life hero to a lot of people.
Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.
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