A Quote by Yuna
'Sixth Street' is probably a new chapter for me. All of the songs were written in my apartment where I'm most comfortable, and at that point, I understood who I was and knew what I was feeling about life.
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My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.
Everything that happens to me gets put into a song. For some reason, I'm really comfortable talking about my personal life in songs. There, I don't hold back: names, dates, times, expressions on people's faces, exactly where we were and how it felt, what I wish I would have said to them in the moment. So I'm not only excited about sharing the songs with fans; I'm also pretty interested to hear the response from the guys I've written about on the record.
If I completely understood what was going on and I understood these songs, they wouldn't make sense to play live anymore. They're still enigmatic for me. I'm still searching in the songs as they are. That's what's actually been the most fun about playing and touring for me is that there's still a lot of caverns in the songs where you can go and hide out different nights.
What impressed me most about New York were its huge apartment houses.
I've never written songs about relationships. I've written songs about how I feel. The songs are more about me, than another person. That's the way I like to look at it.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.
A new chapter in life waiting to be written. New questions to be asked, embraced, and loved.
When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
I feel happy about the songs I've written. I'm a great lover of the craft of songwriting, and I sure admire it in other people when I see it - past and present. I feel comfortable with what I have accomplished. I feel happy to be able to work in that environment, and that I have a lot of songs left to be written, somewhere.
The thing that probably frustrated me and hurt me the most was when there were inaccurate stories written about me or stories that were written that were trying to imply or infer things that weren't true.
The popular songs that were written in the 1920s and '30s, '40s and early '50s were written by veterans - mostly men who'd had experience in life. How can you write a lyric if you haven't really lived life?
Many of the songs were written as a way of paying tribute to specific people, but in the end the songs took on a life of their own and I didn't worry about accuracy or biographical truth, so it's not a problem.
I love the songs we've written together [with Ivo Moring] and believe that Rock music is coming back with a vengeance. There are a lot of new and exciting things on the horizon and the next chapter is going to be amazing.
One of my great experiences in life was to be interviewed on a late-night talk show by a guy named Tom Snyder. He was interviewing me on a book I had written on the New Testament of the Bible called Rescuing the Bible from Fundamentalism, and we talked about the dating of the books of the New Testament, and I said, "Well, the consensus is that the gospels were written some forty to seventy years after the crucifixion." And he stopped me and said, "Wait a minute, Bishop, that means they couldn't have been written by eyewitnesses."
If you were to ask me about a mistake I have made, it's calling my fourth album, 'New Jersey', because for the first time in my life, we were compared to the E Street Band.
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