A Quote by Yuri Gagarin
I saw for the first time the earth's shape. I could easily see the shores of continents, islands, great rivers, folds of the terrain, large bodies of water. The horizon is dark blue, smoothly turning to black. . . the feelings which filled me I can express with one word-joy.
Related Quotes
What beauty. I saw clouds and their light shadows on the distant dear earth.... The water looked like darkish, slightly gleaming spots.... When I watched the horizon, I saw the abrupt, contrasting transition from the earth's light-colored surface to the absolutely black sky. I enjoyed the rich color spectrum of the earth. It is surrounded by a light blue aureole that gradually darkens, becoming turquiose, dark blue, violet, and finally coal black.
The colors are stunning. In a single view, I see - looking out at the edge of the earth: red at the horizon line, blending to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue and various gradually darker shades of gray, then black and a million stars above. It's breathtaking.
The large shiny black forehead of the first whale was no more than two yards from us when it sank beneath the surface of the water, then we saw the huge blue-black bulk glide quietly under the raft right beneath our feet. It lay there for some time, dark and motionless, and we held our breath as we looked down on the gigantic curved back of a mammal a good deal longer than the raft.
What is true about a person? Would I change in the same way the river changes color but still be the same person?... And then I realized it was the first time I could see the power of the wind. I couldn't see the wind itself, but I could see it carried water that filled the rivers and shaped the countryside.
There are no boundaries in the real Planet Earth. No United States, no Soviet Union, no China, no Taiwan...Rivers flow unimpeded across the swaths of continents. The persistent tides - the pulse of the sea - do not discriminate; they push against all the varied shores on Earth.
Rays were blazing through the atmosphere of the earth, the horizon became bright orange, gradually passing into all the colors of the rainbow: from light blue to dark blue, to violet and then to black. What an indescribable gamut of colors! Just like the paintings of the artist Nicholas Roerich.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
I think the thing that impressed me the most was the Lunar's sunrises and sunsets. These in particular bring out the stark nature of the terrain. . . . The horizon here is very, very stark, the sky is pitch black and the earth, or the moon rather, excuse me, is quite light, and the contrast between the sky and the moon is a vivid dark line.
For the first time in my life I saw the horizon as a curved line. It was accentuated by a thin seam of dark blue light-our atmosphere. Obviously this was not the ocean of air I had been told it was so many times in my life. I was terrified by its fragile appearance.
Not too long after 'OITB' debuted, I was at NewFest and I saw 'Black Is Blue,' a short film by Cheryl Dunye about a Black trans man trying to make it in Oakland. It was the first time I could recall seeing a Black trans man on screen and this was in 2015.
Above me I saw something I did not believe at first. Well above the haze layer of the earth's atmosphere were additonal faint thin bands of blue, sharply etched against the dark sky. They hovered over the earth like a succession of halos.
I could just barely see the dark curve of his shoulder, and something about the shape it made, the gesture it suggested, filled me with a sort of fierce, awful affection.
When I met my first savant in 1962, I was impressed by the abilities in these youngsters who had severe disabilities. They appeared to me to be islands of genius in the sea of disability. So I've maintained that word picture since that time, of these islands of genius that are so striking and so jarring when you see them, especially in people who have severe disability.
As I looked down, I saw a large river meandering slowly along for miles, passing from one country to another without stopping. I also saw huge forests, extending along several borders. And I watched the extent of one ocean touch the shores of separate continents. Two words leaped to mind as I looked down on all this: commonality and interdependence. We are one world.
The first of all simple colours is White ... We shall set down White for the representative of light, without which no colour can be seen; Yellow for the earth; Green for water; Blue for air; Red for fire; and Black for total darkness.
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people.
Related Authors
Alan Shepard Quotes
American
Astronaut
Anne McClain Quotes
American
Astronaut
Buzz Aldrin Quotes
American
Astronaut
Chris Hadfield Quotes
Canadian
Astronaut
Edgar Mitchell Quotes
American
Astronaut
Gene Cernan Quotes
American
Astronaut
Jim Lovell Quotes
American
Astronaut
John Glenn Quotes
American
Astronaut
John M. Grunsfeld Quotes
American
Astronaut
Leroy Chiao Quotes
American
Astronaut
Mae Jemison Quotes
American
Astronaut
Neil Armstrong Quotes
American
Astronaut
Peggy Whitson Quotes
American
Astronaut
Sally Ride Quotes
American
Astronaut
Scott Kelly Quotes
American
Astronaut
Sunita Williams Quotes
American
Astronaut