A Quote by Yuriy Tarnawsky
I am uneasy about the practice of other people telling you how to write. This is especially true for beginners who haven't yet developed their style and their writer's persona and are easily pushed off the course.
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I dream about going back, but I know that it isn't easy. Thirty years of being in Europe has changed my life. I am not the Kurd from Syria anymore as I was before. Kurdistani Syria developed somewhere, and I developed elsewhere. I think we will not find each other easily again. If I go back I will be a foreigner in my own country now. But of course it remains a dream to make another movie in Syria, and I am waiting for that opportunity.
I feel passionately about issues, and I don't hide my emotions from people. I am not a focus group-tested, blow-dried candidate or governor. Now that has always made some people, you know, uneasy. Some people like that style, some people don't. [...] But I am not a bully.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.
I am profoundly uncertain how to write. I know what I love and what I like, because it's a direct passionate response. But when I write, I'm very uncertain whether it's good enough. That is, of course, the writer's agony.
Two things have been bothering me for a long time. The first is the tendency of people in general - and that includes Christians - to "relativize" religion. Any religious belief is only "true for," so to speak - true for you or true for me or true for those people on the other side of the world. Second, I've been bothered by how poorly believers understand their own Story. They have bits and pieces, of course, but they're missing enough that they can easily become prey to ideas that sound spiritual, but end up being foolishness in the end.
It was not cool to be that fun, bubbly kid, so I would just go off on my own and sing and make up songs, and that's how I think I developed into the kind of artist and writer that I am.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
Any kind of dictatorship, I'm uneasy. I just don't like dictators. I don't like crowds. I don't like hordes, and I don't like other people telling me what to do. This is probably a reaction against people telling me what to do when I was a kid. I won't join any group, espouse a cause against some other people.
I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay. But when I found the right story, I saw it as an opportunity to write about being a teenager and being gay. Most people, whether you're gay or straight or whatever, have experienced that relationship where one person is much more interested than the other.
Have the right attitude in advanced practice. Feel that you are always a beginner in Zen. They refer to it as "beginners mind". I feel I am a beginner, always; because it's true.
Everyone tells you to write what you know. It’s the tried-and-true advice every writer hears at some point in her career. But to take my writing to a deeper level, I’ve found that a better practice is to simply write what frightens you, haunts you, even. I now keep a sign on the bulletin board in my office that reads: 'Write What Scares You.' I’ve learned that tapping into the hard stuff — whether it’s the fear of loss or a boogeyman lurking in childhood memories — is what ultimately gives a story the power to leap off the page and grab you by the collar.
I try not to focus on what people say too much because there's nothing I can do about it. All I can do is focus on staying true to the style of music I write and sing because that is the only way it's going to come off as honest.
When I'm not wearing makeup, when I'm not in front of the camera, I can be just Hrithik. I can sit with my watchman or with the spot boy and chat with him. I do that. Which is why I am able to differentiate between the person I am and the persona that is projected. It's not the person people are crazy about, it's the persona, it's the magic of the movies and you have to understand that.
What you want is practice, practice, practice. It doesn’t matter what we write (at least this is my view) at our age, so long as we write continually as well as we can. I feel that every time I write a page either of prose or of verse, with real effort, even if it’s thrown into the fire the next minute, I am so much further on.
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