A Quote by Yusaku Maezawa

When you want to form a band, there's always an overwhelming lack of drummers. — © Yusaku Maezawa
When you want to form a band, there's always an overwhelming lack of drummers.
I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.
To women, drummers seem like these adorable, sexy Neanderthals, but lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
To women, drummers seem like these adorable, sexy Neanderthals, and lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
I always communicate musically. I want my band not only to learn the form and feel of the song by ear, like I do, but also have the freedom to contribute.
Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
With every record, with each band, I just try to make a song good. I'm not so much focusing on my technique. There are a million better drummers than me. I try to adapt to the songwriter; I try to adapt to the situation and retain my sort of melodic power. My goal is for the band to be good.
Although usury is itself a form of credit in its bourgeoisified form, the form adapted to capital , in its pre-bourgeois form it is rather the expression of the lack of credit .
Drummers shouldn't just think of themselves as drummers. If you're going to be a musician, you should expand your horizons, compose things, and work with other instruments.
In respect for drummers, see, I love drummers.
It's extremely important, a cappella groups get so easily pigeonholed into essentially just being a cover band, and we want to be at the forefront to show it's its own art form and just a different way to have a band. Only we just use our voices.
This band isn't mostly about being a political protest band. We want to entertain; we want to give you a good time. At the same time, if you look through the history of Priest, there's always been an intelligent factor.
I really like working with drummers, I like being able to bounce ideas off drummers.
There's quite an overlap between musicians - especially drummers - who have an affection and a proclivity towards comedy and comedians who fantasize about being in a band. And a lot of comics play instruments.
This site uses cookies to ensure you get the best experience. More info...
Got it!