A Quote by Yuta Watanabe
It's important to strengthen my body while also improving my shot. Shooting and defense are how I'll make my living, so those are the areas I really have to work on.
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There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.
I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.
Those living in rural areas as well as those with a planning policy remit for those areas have an important responsibility to protect green belt agricultural land for the wider benefit of feeding the UK into the uncertain future that we all face
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
When we tend to the areas of life that are important to us, when we make those things a priority, that's when we will flourish in those areas.
That's the most important thing, improving myself in training, and improving in the things I don't do better, so improving in all aspects, in all areas, in training, to improve game by game and hopefully they will keep coming and hopefully we'll get to the top.
As a teenager, my struggle was how do I balance being empathetic and compassionate towards my peers, while also living my life for myself and not basing my decisions on those around me, and really living a life where I receive my happiness from my own experiences rather than from people pleasing.
You've really got to keep on improving and improving and improving. It still involves work. It's not like you get to a point, and then you're good and that's it.
There's a fashion for a macho style of filmmaking. How long can your longest take be? And shooting things in one shot. For me, if you can sort of disappear and make people feel that they are there, that involves massive amounts of work.
I've always thought that I'd make a pretty good police officer, except maybe for the danger part. I have a rare medical condition that makes it difficult for me to risk getting shot, so probably I'd have to be one of those officers who work in 'do not shoot' areas.
I didn't like the way I shot the ball in Milwaukee, so I worked really hard on my shooting - threes off the move and off the catch. And also continued to work on my ball-handling and my in-between game - my runners and floaters.
Nature is like a canvas, a painting of countless options and possibilities. You don't really worship spirit, because you are also spirit, and spirits don't worship one another. What makes you different from spirit overall is that you are locked into temporality. You have a body, like a piece of cloth that is decayable. While you stay in it, it's hard for you to have the same abilities that spirit has without a body. It is also easy to make mistakes about what is real, and how to go about things effectively.
It's important to celebrate how far we have come while also fighting for justice for those who are still not safe as a result of how they identify.
It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it.
When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
Those are the moments people remember at the end of the game: You make a big shot. 'Yeah, he made a big shot.' I feel like those are the moments I work for and make sure I'm always ready for.
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