A Quote by Yves Behar
For each project I do, I try to surprise myself, do the unexpected, and change my own status quo. From the One Laptop Per Child, the Herman Miller Sayl, or the latest Movado watch collection, there is always an insecurity about being able to do something important. I think each of those projects makes me feel like we have progressed.
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Each of us contributes our own piece to the whole, each in our own way, each in our own time with the gifts and talents that are ours. You ask about possible vehicles for change: question, stand, speak, act. Engage in unruly behavior. Disturb the status quo. Take direct action. Commit civil disobedience. Make art. Build community. Dance. Sing. Farm. Cook. Create something beautiful and then give it away. Find your own monkey wrench and use it with the force of love. Sharpen your pencil. Vote.
As a black woman, I have no particular interest in maintaining the status quo. Why would I? The status quo is harmful; the status quo is significantly racist and sexist and a whole bunch of other things that I think need to change.
I don't like to generalize; I don't talk about the woman, because the woman doesn't exist. We're just lucky that we are able to choose. Those who feel like I do, who feel close to me find my product and find my soul. Each designer has a role to fulfill and you can never disappoint your audience, because it's for them that you're working. Naturally you always evolve, but my collection is about soul, about power.
I think when someone blindly projects and it's showing up in the form of envy or hate - and I actually think they're synonymous - that's when I feel the most afraid and disconnected and vulnerable. Like whenever I don't feel safe in my own hands, in terms of my not being tender or merciful with myself, or when we're treating each other that way.
I'm fortunate enough that every job I do seems to be, at the very least, teaching me something fantastic. I make new friends. I work with talented people. And each project and experience seems to be better than the last. I seem to be topping myself all the time. I think to myself: "It can't get better, it can't get better..." And then something happens that makes me feel like I'm truly richer for the experience.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Seven out of 10 Americans know the country's headed in the wrong direction, that in a very real sense that this is a clear choice between change in the status quo and I've always been telling crowds, the other side says if you like your status quo you can keep it.
The State is a collection of officials, different for difference purposes, drawing comfortable incomes so long as the status quo is preserved. The only alteration they are likely to desire in the status quo is an increase of bureaucracy and the power of bureaucrats.
If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.
Focusing on the way I look makes me uncomfortable. I try to focus on the way I feel - I know what makes me feel better about myself. Reading my child a story makes me feel great, doing my hair nicely doesn't.
The biggest moments of insecurity come when all self-confidence is lost and you feel like people are watching and judging. It should be the opposite. You should feel like the people who are watching care about you. This is something we can try to give each other – the feeling that eyes signal support, not disdain.
I've always enjoyed acting, but there's a part of me that's shied away from living a celebrity life. I don't feel comfortable being noticed all the time. Sometimes I even fantasize about doing things other than acting. But I can remember being back on set the third day of my latest project and going, "Ahh, this is what I have to do for a living." It's what makes me happy.
Most of us are not real eager to grow, myself included. We try to be happy by staying in the status quo. But if we're not willing to be honest with ourselves about what we feel, we don't evolve.
I feel like I leave every single project feeling like I didn't quite do as good as I wanted to do on it, and I have to just look forward to the next one to try and do better. Because you never quite hit the heights you have in your head for what you're going to do. But you learn something each time, which is important.
I think 'Two Towers' is a completely distinct film from 'Fellowship of the Ring' or 'Return of the King.' I think that you can watch them as a group and watch how the story evolves, but I think each one was made in its own entirety, and each one has its own palate of sound and music and color and characterization.
When I play guitar, it's automatic. I don't try to do something; I just do it. And it's already so ingrained in what I do, I don't think about it. I don't try to do something - I just do it. And the more I do it that way, the more I surprise myself. And if I surprise myself, that's the best thing.
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