A Quote by Yves Behar

I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
For me, one of my personal inspirations was designers in the mid-20th century named Charles and Ray Eames.
As designers we are influenced both consciously and subconsciously by everything we see around ourselves. Still, we always must try to avoid anything that has been defined as the latest and greatest "trend" in design.
I think designers are starting to realize that we're all in the same industry. We're making clothes - we aren't saving the world. I'm not saying that designers aren't artists, but at the end of the day, we make clothes.
I love Italy, and that's where I make my own shoes. But the French really do respect designers. Italy is totally different; footwear is an industry. The shoes are all about craft and luxury. French shoes are more about straight lines, and they are way more geometric.
I love 'Project Runway' because I can really be of help to an industry and I can be supportive to designers.
Are there a lot of designers that matter? The industry hasn’t got a litmus test any more. The whole thing has imploded. Watch it die, like the banking industry
I have fashion designers that I definitely respect. After working for a few years in the industry, you want to branch out and do your own thing and I think that's something that has always been important to me is strengthening the brand and just sticking to "this is who we are, this is our identity, this is who we're going to be". I definitely respect other designers but I don't necessarily have one that I look up to.
Instead, there were a variety of controls of which some could be influenced by bankers, some could be influenced by the government, and some could hardly be influenced by either.
My aunt and uncle, who bought me up, were big players in the fashion industry in London during the 60s. They were furriers and designers, and my aunt dressed some of the major windows on Oxford Street.
Designers have a responsibility to show the future as they want it to be - or at least as it can be, not just the way an industry wants it to be.
No one is calling any of these designers racist. The act itself is racist. There were more black models working in the Seventies than there are in 2013. This a time when silence is not acceptable at all. If the conversation cannot be had publicly in our industry, then there is something inherently wrong.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
Dear London, British fashion is a serious business. The British fashion industry is worth £21bn to the U.K. economy and employs 819,000 people across the country. With your help, we would like to see these numbers rise for the good of our industry, our talented designers, and our reputation worldwide.
There are amazing designers like Riccardo Tisci (whom I consider like my godfather in the industry), who are aware that beauty isn't defined by being just one thing or perceived in a single way. Today we hear people's voices, thanks to social media, and that can change things. This change is happening right now!
Billions of people have seen and been influenced by movies in the short history of this industry.
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