A Quote by Yves Klein

I want to take as the canvas for my next picture the entire surface of France. — © Yves Klein
I want to take as the canvas for my next picture the entire surface of France.
I work on stretched linen canvas, sized so that the surface already has a sense of tension when I begin. It is a very rich and reactive surface. I begin by drawing on the canvas with a kind of loose line, very simply and freely. I paint very thinly, which allows me to change the drawing if I want to.
Now the canvas is not just my country Pakistan, but now the canvas is the entire world. Now the canvas is the entire ummah (Muslim nation).
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
In France we have a law which doesn't allow the press to publish a photo that you didn't approve. It lets the paparazzi take the picture, but if they publish this picture, you have the choice to sue the newspaper. So me, I always sued them.
I never want to abandon my roots. I want to give my past and the history of painting the importance it deserves, including the masters like Rembrandt, who built up the surface of the canvas with transparent layers.
It is with enormous distress that France has just learned of the monstrous attacks there is no other word for it that have just struck the United States of America. In these horrifying circumstances, the entire people of France, and I want to emphasize this, stand by the people of America. They express their friendship and solidarity in this tragedy. Naturally, I want to assure President Bush of my total support. France, as you know, has always condemned and unreservedly condemns terrorism, and considers that terrorism must be combated by all possible means.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
The challenge of yoga is to go beyond our limits - within reason. We continually expand the frame of the mind by using the canvas of the body. It is as if you were to stretch a canvas more and create a larger surface for a painting. But we must respect the present form of our body. If you pull too much at once, we will rip the canvas. If the practice of today damages the practice of tomorrow, it is not correct practice.
I will take a picture with anyone who wants one. All they have to do is ask. If I don't want to take a picture, there is an easy way to solve that problem - I don't leave my house.
I've started to experiment [in the studio] with texturing the canvas, building up the surface with large brushes, palette knife or fingers. I want to say more in my art.
When you are acting, you are just one piece of the puzzle. You don't see how everything fits together. It feels like you have less authorship over the entire product. In directing, you take the entire picture into account, so you're challenged in a different way.
I'm opposed to wearing headscarves in public places. That's not France. There's something I just don't understand: the people who come to France, why would they want to change France, to live in France the same way they lived back home?
It is a good thing to stand away from the canvas from time to time and take a full view of the picture.
Where you get people who want to take a picture of you or take a picture of them with you.
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