A Quote by Yves Klein

For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
For me, each nuance of a color is in some way an individual, a being who is not only from the same race as the base color, but who definitely possesses a distinct character and personal soul.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
Choose your friends and mates, not by the money in their bank account, creed, ethnicity, or color; instead, choose character, actions, heart, and soul. When we bleed, we bleed the same color.
Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
In some ways, I value specificity. I think that there's power in, once you know who your fan base is, being able to speak to them. I hope to cultivate a fan base of black girls and black people and people of color, women of color, queer people, people who are are marginalized in general.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
He who wishes to become a master of color must see, feel, and experience each individual color in its endless combinations with all other colors.
Baseball is a game of race, creed, and color. The race is to first base. The creed is the rules of the game. The color? Well, the home team wears white uniforms, and the visiting team wears gray.
We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
I like to wear a lot of one-tone color outfits - same color trousers, same color shirt.
It's time we become comfortable with the uncomfortable conversations about race...Instead of being color blind, we need to be color brave.
The fact is, that of all God's gifts to the sight of man, color, is the holiest, the most divine, the most solemn. We speak rashly of gay color and sad color, for color cannot at once be good and gay. All good color is in some degree pensive, the loveliest is melancholy, and the purest and most thoughtful minds are those which love color the most.
Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
I wanted to separate color from race. Distinguishing color - light, black, in-between - as the marker for race is really an error.
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