A Quote by Yvonne Adhiambo Owuor

Every Kenyan writer has offered me something to hold onto, something to believe in. — © Yvonne Adhiambo Owuor
Every Kenyan writer has offered me something to hold onto, something to believe in.
For a lot of explosions and stuff like that [in Transformers] you're harnessed to something getting swung in the air or dragged onto something or thrown onto something.
If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant.
I'm a pretty happy dude, and don't let much get to me. If something does, I don't like to hold onto it.
Something I tried to hold onto, to touch if only for a moment, but it slipped away from me like the air, like an illusion, or a dream that floats away and is lost. I wept in my sleep as though it was something I was losing now; a loss I was experiencing for the first time, and not something I had lost a long time ago.
I think writer's block is simply the dread that you are going to write something horrible. But as a writer, I believe that if you sit down at the keys long enough, sooner or later something will come out.
And I needed a rock. Something to hold onto, to stand on. Something solid. Because everything was going soft, turning into mush, into marsh, into fog. Fog closing in on all sides. I didn't know where I was at all.
You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.
It is the show that keeps giving. Every night it offers something to society, and it offered something to every one of us. It brought us all together for a lifetime.
I feel like Black Thought is a name that has so much meaning and depth, not only to me but to my fans, that it's something that I wanted to hold onto a little bit tighter.
I have learned to smoke because I need something to hold onto.
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
I do believe in God. But you won't find me visiting temples every now and then. I believe in self-realization. Peace of mind matters a lot to me. What's the point in doing something just for the sake of it? I'd rather do something I like doing as long as I'm being true to myself.
What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
I know my boyfriend loves to have something to hold onto. Theres a lot of men out there who do.
When you need to hold onto something, you should. Whatever gets you through, take it.
I know my boyfriend loves to have something to hold onto. There's a lot of men out there who do.
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