A Quote by Yvonne Adhiambo Owuor
I like talking to myself and making patterns out of the letters of the alphabet on blank surfaces.
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There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.
There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, 'You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.'
Surfaces reveal so much. The marks painters make reveal so much about their work and themselves; their sense of proportion, line, and rhythm is more telling than their signature. Looking at the surfaces of nature may offer equivalent revelations. What do these shapes and patterns reveal about the world and their creator? Surfaces hide so much.
You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem "C." I have a number of poems whose titles are letters of the alphabet:?A, B, C, D, E, F.
Omens are a language, it's the alphabet we develop to speak to the world's soul, or the universe's, or God's, whatever name you want to give it. Like an alphabet, it is individual, you only learn it by making mistakes, and that keeps you from globalizing the spiritual quest.
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Yeah, it's not that I wanted to do a painting, I wanted to do writing like that. What jolted me about Jasper Johns was how important it is to start with a convention, how important it is to start with what everybody knows and everybody takes for granted, whether it's a number, an alphabet letter, a set of alphabet letters, a target.
this was the wonderful thing about strangers. they were big blank pieces of paper, you could draw watever you like on their impresionable surfaces
I've come to realize that making it your life's work to be different than your parents is not only hard to do, it's a dumb idea. Not everything we found fault with was necessarily wrong; we were right, for example, to resent, as kids, being told when to go to bed. We'd be equally wrong, as parents, to let our kids stay up all night. To throw out all the tools of parenting just because our parents used them would be like making yourself speak English without using ten letters of the alphabet; it's hard to do.
It took me a moment. I blinked, and suddenly it swam into focus and I had to frown very hard to keep myself from giggling out loud like the schoolgirl Deb had accused me of being. Because he had arranged the arms and legs in letters, and the letters spelled out a single small word: BOO. The three torsos were carefully arranged below the BOO in a quarter-circle, making a cute little Halloween smile. What a scamp.
It was the sheer force of the letters themselves which brought forth the meaning, since the only link between the Sephirot of non-verbal Wisdom and verbal Intelligence was through the letters of the alphabet.
I started off by doing everything myself, driving the truck, going to the woodshop, buying the wood, designing the furniture, cutting it out, making it myself, finishing it, polishing it, and delivering it, and writing the invoice and writing the letters, doing the books, doing the telephone bill and everything else like that.
Your thoughts construct patterns like scaffolding in your mind. You are really etching chemical patterns. In most cases, people get stuck in those patterns, just like grooves in a record, and they never get out of them.
Mental patterns do not originate out of inorganic nature. They originate out of society, which originates out of inorganic nature. And, as anthropologists know so well, what a mind thinks is as dominated by biological patterns as social patterns are dominated by biological patterns and as biological patterns are dominated by inorganic patterns. There is no direct scientific connection between mind and matter. As the atomic scientist, Niels Bohr, said, "We are suspended in language." Our intellectual description of nature is always culturally derived.
Educational television should be absolutely forbidden. It can only lead to unreasonable disappointment when your child discovers that the letters of the alphabet do not leap up out of books and dance around with royal-blue chickens.
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