A Quote by Yvonne De Carlo

I found I had the ability to do comedy. My timing was really inborn. — © Yvonne De Carlo
I found I had the ability to do comedy. My timing was really inborn.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I have come to the definite conclusion that musical ability is not an inborn talent but an ability which can be developed.
Creative ability is often mistakenly attributed to inborn talent. It is about all the ability to connect one thing with another.
Musical ability is not an inborn talent but an ability which can be developed. Any child who is properly trained can develop musical ability just as all children develop the ability to speak their mother tongue. The potential of every child is unlimited.
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
I think, in comedy, timing is everything. You and I could tell the same joke, but if one of our timing is off, it won't be as funny. You've gotta know when to deliver your punch-lines.
I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.
With comedy it's all about timing and presence on screen, as the words are there but you have to say them right and the right timing.
Hosting is an art form. Like acting, singing, or comedy hosting is a craft. It's a delicate dance of timing, the ability to read the room, and the art of conversation.
Professor Irwin Corey had some of the best timing in the world, and that is something you can't steal. He talked nonsense, not punch-lines, per se. It was a great performance thing he did and his timing was impeccable. Pat Paulsen was a master of comedy too. The Smothers Brothers' strength was not in the content, but how it was said. We had a couple of our albums, including the Purple Onion album, translated in script form. It didn't work at all. It is no wonder that writers had a hard time writing for the Smothers Brothers, because they wrote impressions, but there was something else.
My first lessons in comedy, how to construct a joke, I learned from Eileen Brennan, who had unbelievable timing.
I found out I had a real love for comedy and comedy writing. The logic was, there weren't too many female comedians, so I thought I might as well try a field that had fewer competitors than the field I was in, which was acting, singing and dancing.
I realised that all one really had to do was just observe. Observe and slightly exaggerate, and you had comedy. Instead of creating a mythical premise for a stupid joke, I found playing off truth got the best result.
All dreams reflect inborn creativity and ability to face and solve life's problems.
For myself, personally, I am never really aware of timing or anything because I am passionate about what I do, so I have found that if you really love what you do, then time flies.
I've had a very positive experience in L.A. in the comedy world and found everyone to be very nice and welcoming. It's been really fun.
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