A Quote by Yvonne Orji

For me, staying ready has always been, like, the preparations: do the behind-the-scenes or do what you think that's not sexy that nobody will see, but when they do see it, it's like, 'Oh, snap... what she's doing on her own, we'll add to that, and it'll blow up.'
I was recently watching Rihanna on the Billboard awards, and I was like, My God, she's incredible! And then I looked up her age [28]. She's always been talented. She's always been a star. But when you see her, she's becoming herself. It's age that happens. That's what I respond to.
When I see Kate Moss out and about, I think she looks more beautiful than when her hairdresser and make-up artist try and make her look like something else. And I remember when Madonna first asked Versace to book me to shoot a campaign with her, she came to see me wearing hardly any make-up, and she looked incredible.
There is someone I must say goodbye to. Oh, not you - we are sure to see each other again - but the Lily Bart you knew. I have kept her with me all this time, but now we are going to part, and I have brought her back to you - I am going to leave her here. When I go out presently she will not go with me. I shall like to think that she has stayed with you.
There's a difference between sexy and hyper-sexy. The way I have drawn Vampirella, she's definitely sexy, I designed the costume. But her costume, through the years, has gotten briefer and briefer. She has been hypersexualized, but not by me. I mean, I see drawings in which she's got the 'brokeback pose'. I would never do that.
It's a social media time, where you have YouTube and everything it's kind of like you see my career grow up on camera. But a lot of the things that you would see from artists would be behind the scenes that nobody would know about before, now it's all on display.
Kim and I have been friends for a long time. I've seen how things have played out behind the scenes. She's come a long way and she's a strong woman. The fact that she goes to Australia and twenty thousand people show up to a mall to see her is incredible. She's become an around the world phenomenon.
Well, when you think music-wise, and if you hang with me or you see me or whatever, the average person will be like 'oh yeah, she probably raps'. This is that stereotype and then I do what I do, so they're more like 'oh, I wasn't expecting this whatsoever'. This especially links with the idea of being a woman in this kind of work and within the footwork genre.
Ailee, to me, is just such a talented, powerful voice. She's sexy; she's beautiful. I'm a huge fan. I like her a lot. I really hope she keeps going at it. I really like her song 'I Will Show You.' To me, she has that Beyonce vibe.
There was a girl that bullied me years ago, and I was going through, you know, just the standard Instagram wormhole on her account, going way back into her photos and, yes, ended up liking something and I was like, "No!" I just wanted to disconnect my Instagram - Oh, and then she wrote me a message saying, "It's so great to see you doing well." I was like, "Nope, nope, you don't get to say that now!"
She can kill with a smile. She can wound with her eyes. She can ruin your faith with her casual lies. And she only reveals what she wants you to see. She hides like a child, but she's always a woman to me.
I think it's really exciting for me to see Brandi branch out. Because when you look her up and see her pictures online and see that she was this bikini model, it doesn't tell you that she's got a degree from the University of Michigan or that she attended the master's program and the University of Miami.
You will always go into that tent. You will see her scar and wonder where she got it. You will always be amazed at how one woman can have so much black hair. You will always fall in love, and it will always be like having your throat cut, just that fast. You will always run away with her. You will always lose her. You will always be a fool. You will always be dead, in a city of ice, snow falling into your ear. You have already done all of this and will do it again.
Astonishingly, at some point, a sputtering torch was thrust into her hands. Alma did not see who gave it to her. She had never before been entrusted with fire. The torch spit sparks and sent chunks of flaming tar spinning into the air behind her as she bolted across the cosmos-the only body in the heavens who was not held to a strict elliptical path. Nobody stopped her. She was a comet. She did not know that she was not flying.
There was this one model in French Elle. I can’t imagine what it must be like to be her. She was brunette with big lips and was wearing this tight navy dress by Azzedine someone. She was so beautiful; and the choices she must have. and…Oh, I would give it all up just to have been born that way because her life will be so easy. She won’t have to think, and men will fall into her lap and…It’s all unfair and I don’t want to even write it. It will never change, and no one wants to admit it but being thin and pretty is the best thing a woman can be.
I think I saw 'Ghost' at, like, 6 or 7 - like, a little too early to see 'Ghost' - but I would watch Whoopi over any kids' thing. Everything she did was so funny, and all of her scenes are almost like sketches.
I think the perception of me can be, you know, confused. But that's only because people only see that side of me when I'm at work, in front of the camera. So they don't see Miranda at home; they don't see behind the scenes. They see the glamour of it all but they don't see Miranda standing barefoot in a dirty old house.
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