A Quote by Yvonne Strahovski
Carrie-Anne Moss is awesome. I am just going to put that out there.
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I've never been one for doing remixes. Then I've gotta decide which version am I gonna be tonight: country Carrie or pop Carrie? I'd rather just make country music that anybody can get into no matter what they listen to.
We're going' Anne said firmly. So soon?' Percy pleaded. 'But stars come out at night.' Then they fade at dawn', Anne replied. 'This star needs to veil herself in darkness.
Moss is inconceivably strong. Moss eats stone; scarcely anything, in return, eats moss. Moss dines upon boulders, slowly but devastatingly, in a meal that lasts for centuries. Given enough time, a colony of moss can turn a cliff into gravel, and turn that gravel into topsoil.
I'm not going to lie, the first three years of being in the group, I would look for trolls. I would search Leigh Anne. I would look through Twitter and I would search Leigh Anne from Little Mix, the black girl in Little Mix, I would put these things in my search engines just to see the comments.
I wanted to be Carrie Vaughn the awesome writer, not the chick who writes the 'Kitty' books.
I tried to talk my daughter out of going with a hockey player but, he's a good kid. He asked me if he could marry Carrie before he asked her. I said: You want to what? I thought he was just going to ask for more ice time.
There wasn't much said, but I was thinking, perhaps unkindly - not unkindly,but on - inaccurately of Theodore Dreiser's "Carrie," when the main character in "Carrie" has been brought down by Carrie and his - he - dress is disheveled and all that sort of thing. And that's the last I ever saw of [Will Shawn].
Anne, are you killed?' shrieked Diana, throwing herself on her knees beside her friend. 'Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed.
My parents, Mary Agnes Smith and Rowland Smith, both had to work since their early teens, she in the holiday boarding house of her mother and he in his father's market garden in Marton Moss, a village on the south side of Blackpool, just north of Saint Anne's-on-Sea.
I don't ever assume that people are going to love or appreciate what I do. It would be great. I don't assume that they're not going to. I just am like, 'I'm going to do my absolute best at everything I do, and I'm going to put it out with pride and hope people enjoy it.'
I am always going to be in the hood in my heart, but what I did was added on the masters of arts, fine arts and the doctorate... if you want me to pull that out, I can get very distinguished... but I'm not going there... I don't have to put on airs; the knowledge comes out - just listen.
I'm afraid that people who know me as I usually am will discover I have another side, a better and finer side. I'm afraid they'll mock me, think I'm ridiculous and sentimental and not take me seriously. I'm used to not being taken seriously, but only the 'light-hearted' Anne is used to it and can put up with it; the 'deeper' Anne is too weak.
What's great is that a lot of us are playing so against type in this, and it's awesome. All of the writers put faith in the fact that we know what we're doing. We have creative freedom, and it's awesome. I think it all worked out. Everybody on the show is so good.
When I chose to do 'Carrie,' I never had done anything on camera before. I was always onstage, so everything surprised me. Just going on set and walking into a makeup trailer and seeing Chloe Moretz and Julianne Moore - 'Wow, I am part of this ensemble.'
I just had....my Farmer's Insurance Chevrolet was the fasted car here. In the first run. We were going forward, just taking our time. Regan Smith was pretty slow. I was under him for a couple of laps. When my spotter cleared me in the center, I just took off, and he was there on exit. It is disappointing to have that good of a car and be out this early. Everybody at Hendrick Motorsports is doing such an awesome job. I've had awesome race cars, and I have nothing to show for it.
Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.
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