A Quote by Z'EV
I'd been collecting different ethnic instruments here and there, and then I started making little bell type stuff, looking for weird little sound toys.
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Initially, when I was making the bagpipes and reed instruments, it was different from the other instruments. In terms of sound itself, it may not be different, but in performing with it, it was a necessity to build it if I was going to perform and make scores with it. By making the instruments, it helped me compose the way I want.
I started working with synthesizer players, and I had to find new instruments. I needed a more complex sound, so I went to a surplus place and got a bunch of hard plastic stuff and stainless steel stuff, and that stuff worked. So from that point on, from the 70s on, I've made instruments.
Don't bring your sand toys to the park. That's another bad move. Because I go to the park, and I'm on the Vicodin and a little weed too - let's face it - and I go in there, and my wife's like, 'Bring the sand toys! Bring the sand toys!' And I know what happens every single time: I become sand toy repo man from the eight little kids that run off in nine different directions with my sand toys.
I'm an avid collector of toys. I got everything. Name it. From the Easy Bake Oven to Barbies to every TV show doll, racing cars... I've been collecting since I was a little kid.
Sometimes it's nice to try different instruments because they have a different sound to offer and therefore your approach changes a little bit. But, I always come back to the piano.
In Vegas, everyone lets their hair down a little bit and it's a little looser. You expect to see some different stuff and hear some different stuff. Even the red carpet is different here.
I'm the type of guy, I make a lot of different beats, but sometimes I might stick to a sound for a little while.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
I liked anything that was a little bit weird, a little bit different. I always went for the psychotic, weird, 'dingey' bands.
I'm not interested in parts where they are looking for a good-looking guy. I want to be a weird little sidekick in a crazy comedy and then play like a dark drama or a thriller.
There might have been a hundred or a thousand life-bearing planets, had the course of evolution of the universe been a little different, or there might have been none at all. They would probably add, that, as life and man have been produced, that shows that their production was possible; and therefore, if not now then at some other time, if not here then in some other planet of some other sun, we should be sure to have come into existence; or if not precisely the same as we are, then something a little better or a little worse.
We always mess around with riffs and stuff and kind of jam out during sound checks, but we never actually started playing covers live until we started goofing off a little bit more on stage.
When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.
I've played a different type of character in a different type of thing, for the most part. It's not like you can't mine tons of fascinating stuff from any character that you play, and I've always been fascinated with women and relationships, but this has been a completely different experience, for sure.
The Canon AE1 - a fully manual camera. [My mother] had a 50mm, which is a standard lens, and then I got a 28mm. Then I started a little punk magazine, a zine, when I was 14 or 15 years old. I was shooting my friends skateboarding and it was the beginning of the Macintosh. We wouldn't do layouts on the computer; we would pick the font and then type up a paragraph and then print it out and cut it up and put it in a little mock-up and Xerox it.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
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