A Quote by Zac Brown
I never get used to going out and seeing 20, 30,000 people that are there to see us play. It's kind of surreal.
Related Quotes
If you have a horse that can beat horses worth $20,000, typically you enter it in a $20,000 claiming race. Now there might be people who feel their horse is worth $20,000, and they say, 'I wouldn't mind seeing the horse get beat.' So they'll enter it for $40,000 so the horse looks like it's performed badly.
I don't know if a pro wrestling career prepares you for Hollywood. When you get out there, and you're in an arena for 20,000 people or 90,000 people, it's a lot different than being on a quiet set with 100 people, so I think you get used to dealing with cameras.
I'm used to seeing it, but it's weird having an Academy Award. You usually only see one of them on the TV show when they give them out, so it's kind of surreal to have one in your house.
It is a boyhood dream to play for Manchester United. To come here is a bit surreal. You see the number of fans out there and how far some of them have travelled to see. It is going to take a bit of getting used to.
If you can't motivate yourself to get up and play in front of 30,000-40,000 people, then you're not in the right job.
I grew up in a really rural town, Stratford, Ontario, with 30,000 people. There's a big festival thrown in the town. A lot of people travel from all over the world to see it, and growing up, I actually used to busk on the street. I'd play my guitar, sing, and people would throw money in the case.
Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
When a drug comes out [that's broadly prescribed] there are going to start to be a lot of people on it [in a million person cohort] and you might get therefore an early signal of something unexpected that hadn't come through in the clinical trials. And I'm sure [drug companies] would love it if, in fact, FDA, recognizing that, would say, OK, maybe you don't have to do your trial with 30,000 people because we're going to find out shortly after registration because we'll have a lot of people taking the drug and we'll be able to see what happened using PMI.
We saw a need to develop a community for artists to get their music out to the masses. With MySpace, when they went out on tour, they could actually tour nationally. The band might have 20,000 friends on their list and send out a bulletin saying, 'I'm going to be in Austin on Tuesday night. Come see our show.'
I like to go out there and be organic and improvise off the energy I feel from the crowd, whether it's 50,000 or 20,000 or 10,000 people in the audience.
Wherever we play golf, people come out here to get autographs. They obviously come out to watch us play and see us in action, but they also want to interact with us.
You have to believe in yourself and you have to take risks. You know how people say 30 is new 20 and 40 is new 30? Well I think essentially what that's telling us is there are so many opportunities out there, you don't have to rush into something.
I used to play for 200 people and now I'm selling out places that hold 16,000 people. It's a big change, and it's so cool to see people out there screaming the words to songs that I wrote. It just really reassures me that what I'm doing is working, and it really boosts my confidence, as far as on stage as a performer and a writer.
You do 1,000 interviews, 20 percent of every one is not what you said, or is twisted a little. If you multiply 20 by 1,000 you've got a lot of inaccuracies out there.
Let's put it this way: if you are a novelist, I think you start out with a 20 word idea, and you work at it and you wind up with a 200,000 word novel. We, picture-book people, or at least I, start out with 200,000 words and I reduce it to 20.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician