A Quote by Zac Brown
You have a feeling when you're recording, like, 'This is gonna translate really well,' and when you see it live, and it kind of proves that, that's an amazing feeling.
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It's really an amazing feeling because you're flying in a car that's on stage and to be this age also, and in the theater and then with a huge audience of 1,800 people backing you up and cheering you on. It's a really amazing feeling.
Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.
It's an amazing feeling Whenever you do well for India, it is a great feeling.
'Victorious' for me was a chance to write a song exactly how I was feeling - I was feeling triumphant, I was feeling like I could do anything as long as I've got the people that I love by my side. We're gonna go out and conquer it, and party, and just be awesome.
Having to stand in front of an audience and have it be your job to make them laugh, you can't really look to anyone but yourself. It's what you wrote, what you said and how you said it, so it's kind of terrifying, but I liked it. When it goes well, it's the best feeling in the world. When it doesn't go well, it's the worst feeling, but once you get into the rhythm of it, I think it's really fun.
There's a really great feeling among the Australians in Hollywood. There's so many of us, and we all support each other, and it's a really nice feeling, being able to sit back and see so many people doing so well.
I'm a dude who likes to create music with good feeling. I live like a chameleon through music. It all depends on what the beat tells me to do; that's why you're always gonna get passionate hooks, because I'm feeling the beats and the emotion behind the drums and melodies.
If you push through that feeling of being scared, that feeling of taking risk, really amazing things can happen.
Sometimes I think elements of 'Open Eye Signal' are better live. I do this really crazy stuff at the end, but I don't know if it'd translate well into recording. It would probably sound a bit too extreme.
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
I am unable to make any distinction between the feeling I get from life and the way I translate that feeling into painting.
Every American wants MORE & MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more & more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug.
My opinion of covers is that unless you're going to change and take a cover in a new direction, it's gonna get put up against the old one, and you're gonna lose. It's like, which would you rather listen to? The Righteous Brothers' 'Loving Feeling' or Hall and Oates' 'Loving Feeling?'
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
When they don't have your back on a show, it's the worst feeling ever. That energy trickles down to the cast and crew. You can feel when it's not gonna be a winner. But when you have the support of the network and the studio, it's a really good feeling.
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
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