A Quote by Zac Efron

Every time you make a movie you have to confront your fears. — © Zac Efron
Every time you make a movie you have to confront your fears.
The time to take counsel of your fears is before you make an important battle decision. That's the time to listen to every fear you can imagine! When you have collected all the facts and fears and made your decision, turn off all your fears and go ahead!
I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.
You end up giving up half your salary every time you make a movie because you need the money to make the movie you have in your head.
Kabbalah helps you confront your fears. If a girl borrowed my clothes and never gave them back, and I saw her wearing them months later, I would confront her.
The goal of faith isn't to take away your fears but to leverage those fears to create bolder belief. Faith leads you past your fears and reassures you of God's presence. And after a while, you begin to trust that God is going to lift you above the waves this time just like he did last time.
The best way to confront your fears it to stop avoiding the situation you're most afraid of.
I feel like we haven't dealt with the ghosts of America's past, and the way to deal with it is to confront it, so every time people see me, I want them to be reminded and to confront that ghost.
Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.
A lot of my fears and anxieties are the fears and anxieties of a six-year-old boy. When I finally confront them, they're really small.
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
I had to confront my fears and master my every demonic thought about inferiority, insecurity, or the fear of being black, young, and gifted in this Western culture.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
Movie-wise, there is nothing I wouldn't do again. It's not possible to make one perfect movie every time.
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.
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