A Quote by Zac Efron
It's hard to film underwater. It really is tricky. You don't have goggles, so you can't see anything. You don't know where you're swimming to. Everything's blurry.
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Russell James asked me to shoot underwater. He tied my feet under the water. I don't know how many feet - maybe five, six meters. He tied me underwater and I had no air. Somebody had a tube, and they were giving me some oxygen, but I couldn't really see anything. Everything was blurry. I'm waiting for the oxygen - that was the craziest thing.
That's part of the comedy, too, is we do have jokes throughout of hanging a lantern on the absurdity of the world. Like, when BoJack's flying over the neighborhood, you see some houses have swimming pools in the backyard, and what does that mean? Why would there be a swimming pool underwater? But we thought it was funny.
Most people exist in very clouded states of mind. It's sort of like when you're underwater in a big swimming pool and you open your eyes, and you can't see very far and everything is distorted.
I would visualize the best- and worst-case scenarios. Whether I get disqualified or my goggles fill up with water or I lose my goggles or I come in last, I'm ready for anything.
When you're underwater with goggles on, a couple of your senses are taken away, and it becomes this purely visual thing. It's just you and yourself.
Po swirled upward from where it had been sitting, and floated over to the window. "When you go swimming and you put your head under the water," Po said, "and everything is strange and underwater-sounding, and strange and underwater-looking, you don't miss the air do you? You don't miss the above-water sounds and the above-water look. It's just different." "True." Liesl was quiet for a moment. Then she added, "But I bet you'd miss it if you were drowning. I bet you'd really miss the air then."
I've never found anything to be lacking in a blurry canvas. Quite the contrary: you can see many more things in it than in a sharply focused image. A landscape painted with exactness forces you to see a determined number of clearly differentiated trees, while in a blurry canvas you can perceive as many trees as you want. The painting is more open.
I love swimming, swimming's my passion and I hope I swim until the last day of my life, so I really, really do enjoy swimming, but swimming for me is simply a way of carrying a message.
To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
I eat a little bit of everything and not a lot of anything. Everything in moderation. I know that's really hard for people to understand, but I grew up in an Italian family where we didn't overdo anything. We ate pasta, yes, but not a lot of it.
I got Type 1 diabetes at 30. It hit me in 1982 when I was a White House Fellow in Washington. I had viral pneumonia. I lost 35 pounds in six weeks. And I couldn't see anything. Everything was blurry. I was always thirsty.
Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.
Making art is like swimming underwater in a blindfold.
I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.
In swimming, especially training out in the ocean and open water, you got fogged-over goggles, you're stuck with your own thoughts - there's great benefits to that, deep thinking like that after many hours, but there's also tremendous loneliness. You burn out. You want to run, jump, ski, do anything. So at age 30, I was finished.
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