A Quote by Zach Anner

I talk about Breaking Bad being the most brilliant show ever, and even minor characters have subtle nuances and are fully drawn. — © Zach Anner
I talk about Breaking Bad being the most brilliant show ever, and even minor characters have subtle nuances and are fully drawn.
I really do think that Breaking Bad is probably the greatest television show that's ever been made. Just in terms of, everything, it's flawless. I can't think of one flaw with Breaking Bad. Every other show, even shows that I really, really love, they're not perfect. Breaking Bad, to me, is a perfect show.
Respect your characters, even the ­minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.
Whatever happened to books? Suddenly everybody's talking about these 100-hour movies called 'Breaking Bad'. People are talking about TV the same way they used to talk about novels back in the 1980s. I like to think I hang out with some pretty smart people, but all they talk about is 'Breaking Bad.'
It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.
One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show without ever breaking its reality.
Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.
One of my favorite experiences in my career, certainly one of the most interesting characters I've ever played, was Simon Lee on 'The Event.' That was a show I was quite proud of and a character I really enjoyed playing. It was one of the most three-dimensional characters that was ever written for me and that I'd ever gotten to play.
I don't mind being accused of being a bad comedian and I don't even mind being accused of being a bad talk-show host, but I never want to be accused of being an arrogant, pompous showbiz asshole.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
Rick And Morty' is the most consistently brilliant, densely plotted and enjoyable television show I have ever seen. It's childish, yet super-clever, without ever being clever-clever.
No, there isn't a particular type of genre that I'm drawn to. I'm more drawn to the possibility of creating different characters, or being able to go from one genre to the other and to show that I could do it, that I could be good at it.
Bill Paley is not only the greatest boss I ever had, but he's the most brilliant, honest and warm human being I've ever met. And I'll say that to his face - even if it costs me my job.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
I like bringing little subtle complexities to a character. It's all about the subtext. No one can really describe or fully know another human being, even if they get a hook on them. It's more about instinctively knowing whether you like somebody or not.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
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