A Quote by Zach Anner
When I read the script [of Glee], the whole premise was that all the high school kids were being cruel to this kid in the wheelchair, and then the quarterback comes along and has a heart of gold and takes him out of a Porta Potty. That's too often what I see in media, that the characters with disabilities are there to make other people seem like heroes for treating the character with a disability with respect. Those are the kinds of roles that are out there.
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There was another time when Mike was really foul mood and we had to make a pit stop so he could use a porta potty. Mike went to use the porta potty and we were waiting inside the RV. It was joe’s idea, but we all got out and started to rock the thing back and forth. We didn’t mean to, but we ended up tipping the porta potty over while Mike was in it! Then we attacked him with air freshener
I remember kids in high school and middle school who - I was kind of an insecure mess - I think there were those kids who really stepped out and paid attention to the kids that weren't as popular, and I see those kids as leaders.
At first, I didn't hang out with celebrity kids. That wasn't the way I was brought up. I went to a run-of-the-mill Catholic primary school when we first moved to L.A. But then I went to a high school where there were lots of 'industry' children. Those weren't my best friends and I've never set out to make myself a part of that scene.
There were not a lot of roles for a black man like myself that were different. Then 'Top Boy' came. I read the script and I loved that the characters were human.
I did organize something in high school like a school walkout. These kids were locked up in their school, they weren't allowed out, but 3,000 school kids from Sydney walked out and protested. And I organized it from my mom's office at work. And I was 12.
I think being mean to people in high school is healthy. It's sort of like you're in this situation with all these other kids and sometimes you need to get your aggression out. And if you'd had people be mean to you before, it really does build character.
Before you have kids, you can blow up and get mad, then you have kids and they teach you the opposite. You have to be patient when you're helping - whether it's with school work or potty training, it's a whole other level of patience.
From middle school to the first year of high school, I went to a school in Miami that seemed like a private country club. The whole cheerleader, football player, clique-y thing there was terrifying. Those people were so scary. They're the scariest kinds of people because they are idolized by their peers.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.
I loved the idea of playing quarterback on Friday Night Lights in high school, that whole experience. I wanted to be a Division I quarterback, that became my goal growing up, other than being a professional hockey player.
There are mean people out there, and they're cruel, they're bullies to all kinds of people. Some are based in race; some are based in the way other people look; some of it's politically based. But there's all kinds of it. Everybody goes through life being tormented at times by something. Something as simple as just going through four years of high school can ruin somebody's confidence, just because of things that happened there. The key to it all is being taught how to deal with it and how to not let it mar your own opinion of yourself.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
Some of the most interesting and happiest kids I've seen have lived with a lot of different adults, because a kid can go up to one guy and wear him out. And as soon as the adult gets tired, there are five other guys, or five other chicks to go and wear out, and the kid gets to be very bright - and tolerant, you know, with that many kinds of people around.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
I'm always interested in the ways in which a character can inhabit either a theme or a premise personally, so that those scenes that are about his character or his relationship with other characters feel in context and don't seem to be apart from or oddly vestigial to the actual drama.
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