A Quote by Zach Anner

The most important thing is to have the conversation, and let people who do make mistakes feel comfortable enough to continue the conversation. — © Zach Anner
The most important thing is to have the conversation, and let people who do make mistakes feel comfortable enough to continue the conversation.
All the research shows that the presence of that phone will do two things to the conversation. It will make the conversation go to trivial matters, and it will decrease the amount of empathy that the two people in the conversation feel toward each other. That phone is a signal that either of us can put our attention elsewhere.
I think the most important thing is to feel comfortable. And if you don't feel comfortable with what you're wearing it really shows. Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.
One of the most common mistakes people make in any conversation is to think about what they want to say next instead of actually listening to what the other person is saying.
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
I feel comfortable tweeting things that I would never feel comfortable saying in a real life conversation, or even in other places on the internet.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
I've always felt that everything I've done has been a conversation, a continuation of the last conversation that I had with the people who've watched my films... and that each thing led to the next.
The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
I don't need to convince men that feminism is important, that just isn't a goal of mine. I can't even have that conversation of whether or not it's important, because if someone asks me that... I don't want to have a conversation with them until they grow up.
There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.
Sometimes if the point of a piece of music is to open a conversation with other people, it's really hard to open that conversation if you're telling people exactly what to do or feel or think.
I'm a constant idiot in conversation - I always seem to sound either smug or stupid. Writing plays was a way of winning the conversation by controlling the conversation.
I oftentimes receive the question, "What do you think is the most important social issue to focus on?" Or, "What's the most important component of identity? Is it gay rights or race or feminism?" And I'm like, "Well, they're all intertwined. It's all one conversation at the end of the day. You can't just pick one." I mean, people experience all kinds of prejudice because of all different parts of themselves. And that doesn't make one part more important than the other.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
At the end of 'Endgame,' the shield was given to Sam and he said, 'It feels like it's someone else's.' That conversation, for me, was the most important conversation to have. A Black man picking up the shield - what was that going to look like?
My honesty about mental illness has helped open a door for real conversation, and I think Justin wants to continue that conversation. He has put no restrictions on me. His father couldn't. Why should he try?
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