A Quote by Zach Anner

The only two characters I can play convincingly are myself and a dumber and sweeter version of myself. — © Zach Anner
The only two characters I can play convincingly are myself and a dumber and sweeter version of myself.
I want to be an Actress that is forced to change in order to play certain characters or tell stories. I don't want to just play a version of myself.
A lot of my songs are about things that concern me personally, not a heightened version of myself or any of the characters that I play.
I'm not a good actor, I can play myself and a much gayer version of myself. That's my range.
I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
Left to myself, I would only play an Indian. But the reality was that there were hardly any Indian characters I could play in the films made in England and Hollywood. So I had to learn how to disappear into a variety of characters.
I think actors go along a continuum from Simon Callow down to kind of Ross Kemp, and I like to think of myself as the Ross Kemp of comedy. He's very good in 'East Enders' because he plays a version of himself. I think I can play a version of myself - that's about all I can do.
A big way that I express myself is through what I wear and how I present myself. I think that's an important part of the characters that I play.
I think it's important I stay connected to every part of my personality. I play basketball. I rock climb. I paint. I'm a little bit scattered, but it's so I can convincingly play all these characters.
I definitely did not play myself. As the writer of the script, I have traits of all the characters. I can relate to all of the characters.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I think there's a tendency for actors like myself, and I don't mean to generalize myself, but I've played 'men's men,' if you will, characters that are simmering rage and calculated. There's a trend not to play anything that is opposed to that.
A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.
The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters.
I started out doing multiple characters from day one, when I got my fist job in 'Dumbo's Circus.' I'm used to getting in an argument with myself, throwing myself off a cliff, patching myself up and brushing myself off with an arm around my shoulder.
My only two constants are to challenge myself and to try not to repeat myself.
Many of the traits in my characters are exaggerations of things I see in myself. But in 'How Should a Person Be?' I wasn't trying to write about myself so much as a combination of myself and these women I was seeing in our culture.
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