A Quote by Zach Braff
Oh sure, I have a few black people in my family tree. They're probably still hanging there.
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I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
Maybe I'll be like that man in "The Hanging Tree'. Still waiting for an answer.
If bad decorating was a hanging offense, there'd be bodies hanging from every tree!
Hollywood is so fixated on keeping it that way because it's generating the buzz, but that representation isn't right. I definitely feel like it's getting better - it's not only for blacks, but for people that are of all different skin colors. It is very important that black independent films get seen. We need to start getting used to black people. They exist. And they've been around for a long time. It's amazing that people still feel, "Oh my gosh, it's a black guy."
Oh, ever thus, from childhood's hour, I 've seen my fondest hopes decay; I never loved a tree or flower But 't was the first to fade away. I never nurs'd a dear gazelle, To glad me with its soft black eye, But when it came to know me well And love me, it was sure to die.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
Oh, yeah, insanity ran deep in the roots of that family tree.’ (Talon)
Hanging out with the Trees is like hanging out with your family, and I hardly ever see my family.
About the presence of death and dying I don't remember the society in the 1950s being so skittish as it has since become. People still died at home, among relatives and friends, often in the care of a family physician. Death was still to be seen sitting in the parlor, hanging in a butcher shop, sometimes lying in the street.
Land is a nation's basis for existence. The nation has its roots like those of a tree deep in the country's soil whence it derives its nourishment and life. There is no people that can live without land, as there is no tree which can live hanging in air.
I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.
What I did not yet know so intensely was the hatred of the white American for the black, a hatred so deep that I wonder if every white man in this country, when he plants a tree, doesn't see Negroes hanging from its branches.
'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!'
Christians, of all people, should not be destroyers. We should treat nature with an overwhelming respect. We may cut down a tree to build a house, or to make a fire to keep the family warm. But we should not cut down the tree just to cut down the tree. We may, if necessary, bark the cork tree in order to have the use of the bark. But what we should not do is to bark the tree simply for the sake of doing so, and let it dry and stand there a dead skeleton in the wind. To do so is not to treat the tree with integrity.
I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
It has always irked me as improper that there are still so many people for whom the sky is no more than a mass of random points of light. I do not see why we should recognize a house, a tree, or a flower here below and not, for example, the red Arcturus up there in the heavens as it hangs from its constellation Bootes, like a basket hanging from a balloon.
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