A Quote by Zach Braff

Honestly, the only way Garden State could have been better was if I played every character. I'm awesome. — © Zach Braff
Honestly, the only way Garden State could have been better was if I played every character. I'm awesome.
One must keep one's character. Earn a character first if you can, and if you can't, then assume one. From the code of morals I have been following and revising and revising for 72 years I remember one detail. All my life I have been honest - comparatively honest. I could never use money I had not made honestly - I could only lend it.
Honestly, the Carolina games I played in every year were more intense than the national championship games I played in - they had a better environment.
I'd love to have a really flourishing vegetable garden, and I'd love to have a better area for a rose garden or a cutting garden, but I don't. You have to develop a garden in the way that it's meant to be developed.
Every garden-maker should be an artist along his own lines. That is the only possible way to create a garden, irrespective of size or wealth.
The way I write my shows, every character is its own organic thing. No character has a life at all until I see it played by somebody.
My life has been in reverse. It wasn't fame, and it wasn't money, but I always wanted to succeed. The only way I could do that was to try with every job to be better than I was in the last one, and to learn.
The Japanese garden is a very important tool in Japanese architectural design because, not only is a garden traditionally included in any house design, the garden itself also reflects a deeper set of cultural meanings and traditions. Whereas the English garden seeks to make only an aesthetic impression, the Japanese garden is both aesthetic and reflective. The most basic element of any Japanese garden design comes from the realization that every detail has a significant value.
I never could have imagined or dreamed where my career would be taking me the way it has with the Goldust character. It's awesome.
51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!
On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.
At the age of twelve I was finding the world too small: it appeared to me like a dull, trim back garden, in which only trivial games could be played.
I always think I could do better. I always think that something could be more perfect, but I think that that's just within my nature. I think I want to please a director, I want to give my everything and find every which way I could have burrowed further into a character.
... garden books are quite unconscious that besides telling us how to turn our patch of earth into a garden, they are also expressing the way their age looks at the world, the state of their society.
Luck was something you either earned or invented through strength of character. You had to come by it honestly; you could not trick or bluff your way into it.
We just really wanted Hit-Girl to be a character who, in a sense, simply happens to be an 11-year-old girl, in the same way that Ripley in 'Alien' could have been a guy, but the part happened to be played by Sigourney Weaver.
I started out as a defender. I played as a full-back, and then I moved into the centre. I played defence right the way through until the Under-18s. Honestly!
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