A Quote by Zach Braff

A kid came up to me the other day and said, 'Hey, you're the guy on Scrubs!' Kid, I am Scrubs, and don't you forget it. — © Zach Braff
A kid came up to me the other day and said, 'Hey, you're the guy on Scrubs!' Kid, I am Scrubs, and don't you forget it.
We got a Grammy for writing 'No Scrubs.' It contributed to me getting Songwriter of the Year. I was the first woman to get Songwriter of the Year from ASCAP and 'No Scrubs' was part of the reason for me getting it.
I said, I'm on this TV show and I love doing it, but I don't want to be known always as the silly 'Scrubs' guy... So part of me was like, You know what? Life's short. Let's go for it.
I said, I'm on this TV show and I love doing it, but I don't want to be known always as the silly "Scrubs" guy... So part of me was like, You know what? Life's short. Let's go for it.
I want the next 16-year-old kid who looks like me to know he's not automatically the bad guy. Hopefully, that kid can look at Mustafa Ali and say, 'Hey, he's not the bad guy, and I don't have to be, either.'
We named all our children Kid. Well, they have different first names, like Hey Kid, You Kid, Dumb Kid . . .
When I was in elementary school, we had the kid who threw chairs, the kid who stuttered, and the kid who went to the bathroom on himself ... but we never had the kid who came in one day and started shooting everyone.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
Kid 1: *examining my gorgeous strawberry and blueberry pies*: Wow, Mom, your pies don’t look awful this time. Me (Ilona): ... ~A little later~ Kid 2: *wandering into the kitchen* Kid 1: Hey, you’ve got to see these pies. *opening the stove* Kid 2: Wow. They are not ugly this time. Kid 1: I know, right?
My mother ran the household. In grade school, I came home crying one day. She said, 'What's wrong?' and I said, 'This kid said he was going to jump on me.' She grabbed me and slammed me on the floor. 'If you don't go out there and stand up for yourself, it's going to be me and you.' I didn't want that to happen.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
Writing a screenplay's not rocket science, but I was in a bar, and the bartender came up to me and said, 'I saw 'Night at the Museum,' and the thing about him and his kid brought me and my kid together.' Something like that... it's like, 'Oh, right. That's why we're doing it.'
I got the pilot for 'Scrubs' sent to me, and in the margin for Dr. Cox, it said 'a John McGinley type.' So when I went in to audition, I said to Billy Lawrence, who's a dear friend of mine, I said, 'Well, I'm John McGinley.'
I love 'Scrubs.' It's the best day job in the world.
One of the greatest pieces of advice I've ever gotten in my life was from my mom. When I was a little kid there was a kid who was bugging me at school and she said "Okay, I'm gonna tell you what to do. If the kid's bugging you and puts his hands on you; you pick up the nearest rock.
One day as I came home early, I saw a man jogging naked. I said to the guy, 'Hey, buddy, why are you doing that?' He said, 'Because you came home early.'
The only time I've ever been mistaken for someone else is - and this arguable still - when a person came up to me on the boardwalk of Ocean City, New Jersey and said, "You look a lot like that guy from computer ads" and I said, "There is a reason because I am that guy," and the guy looked at me for a minute, laughed and said, "That's a funny joke, but you really do look like him." He thought I was not me.
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